Nestled among new originals like the romantic comedy The Life List and the true crime documentary Con Mum on Netflix’s list of most-watched movies right now is a rather unexpected film.
After debuting on the platform on Wednesday, the 2023 psychological thriller Don’t Worry Darling is currently its third most-watched movie, at the time of writing.
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Given the film features leading performances from Oscar nominee Florence Pugh and global superstar Harry Styles, it’s perhaps not a massive surprise that people might be curious to check out Don’t Worry Darling for themselves.
Before being cast in Don’t Worry Darling, Harry had only one major film credit to his name, after landing a supporting role in Christopher Nolan’s war epic Dunkirk, so intrigue was understandably high about whether the chart-topper’s musical success and on-stage charisma would transfer to the big screen.
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Unfortunately for him, though, the general consensus was that it did not.
Don’t Worry Darling didn’t exactly get the best reviews of Harry Styles’ career
Warner Bros/Moviestore/Shutterstock
Don’t Worry Darling holds an unenviable 38% critical score on Rotten Tomatoes, with many reviews singling out the As It Was singer’s acting as one of the film’s biggest flaws (although it’s worth pointing out that it has a much healthier Rotten Tomatoes audience score of 74%, not to mention a satisfyingly precise score of 3.0 stars on Letterboxd).
If you’ll excuse the minor spoiler, what’s interesting is that Don’t Worry Darling winds up touching on the radicalisation of men online and the rise of incel culture, and its arrival on Netflix comes at a time when these themes are being widely discussed thanks to one of the platform’s original offerings, the four-part drama Adolescence.
Nathan Lane has revealed that he was up for a part in Space Jam but ultimately didn’t get it because of his sexuality.
“Apparently the director [Joe Pytka] saw me hosting the Tony Awards and thought that suggested I was too gay to play the part,” the Broadway star said in an interview with Vanity Fair published on Monday.
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The Tony and Emmy winner had been asked about whether homophobia had limited his opportunities in Hollywood, leading him to mention his experience with the 1996 film, which starred NBA icon Michael Jordan alongside the cast of Looney Tunes.
Nathan had apparently been in consideration for the part of Jordan’s assistant Stan Podolak, a role that eventually went to Seinfeld star Wayne Knight.
However, Nathan noted that the film was one that he “didn’t really care about”, quipping: “So thank God, I didn’t have to do Space Jam…”
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“But I don’t know,” he continued. “I’ll never know what people say. Homophobia is alive and well, still.”
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In a 2023 interview on Sunday Today, he recalled being “not prepared” to discuss his sexuality when he and Robin Williams, his co-star in the 1996 comedy The Birdcage, did an interview with Oprah Winfrey around the time of that movie’s release.
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The two played a gay couple in the film, whose son is set to marry the daughter of a conservative couple. Nathan said he was “so scared” of how the interview could go down as he feared how Hollywood would react to him talking openly about his sexuality.
The actor retold how, when the host asked him whether he was afraid of being “typecast” for the role, Robin then jumped in and diverted the talk show host “because he was a saint”.
“Robin was just the greatest person ― such a beautiful, sensitive soul and so kind and generous to me,” he said of the late Oscar winner.
But that’s got nothing on the improbable director Jennifer Love Hewitt says is behind one of her most famous scenes.
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In I Know What You Did Last Summer, the actor’s character breaks down after months of being followed by a killer. The camera shows her spinning in the street as she screams: “What are you waiting for, huh? What are you waiting for?”.
The moment is probably the best-known scene in the movie – and Jennifer says it was directed by a child, in an interview that’s resurfaced in a viral Instagram Reel.
via Associated Press
Jennifer Love Hewitt
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Speaking to US Weekly in 2018, the star said: “Here’s what’s crazy about that – that scene was actually directed by a kid who won a contest to come on and create a moment for the movie, and it became the biggest part of the movie.”
Though she admitted “I have no idea where he is,” she said his direction was great.
She claimed he said, “I want her to stay in the street and turn around and just… scream, like, ‘What are you waiting for?’”.
“I was literally like, are you kidding me right now?” Jennifer added.
“This is what I’m gonna do? Okay, this is a great idea, let’s have this guy come in,” she said sarcastically.
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“And then we were doing it, and it looked amazing. And now everybody loves it.”
“That’s one of the best scenes of the movie. And one of my favourites to recite as well,” an Instagram user commented under a post about the fact.
The actor is set to star in the new release, having previously told US Weekly: “I’m gonna be the creepy old lady who’s still turning around in the street screaming into the air and the kids are gonna hit me. That’s gonna be my part in the next movie!”
We don’t know exactly what her new role in the franchise will be yet ― but there’s been no mention of child directors so far.
Isabella Rossellini will follow her Oscar-nominated performance in Conclave with a role in a new historical drama.
On Wednesday afternoon, it was revealed that the Italian actor will join Dame Joan Collins in The Bitter End, an upcoming film about the final years of Wallis Simpson.
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Dame Joan told The Guardian in 2023 that the movie would tell “the true story of the last years of the Duchess of Windsor after the Duke dies”, claiming that Simpson “was abused by this woman who took her over and took away her objects, her money, and left her practically destitute”.
In the film, the Dynasty legend will play Wallis Simpson, while Isabella will portray Suzanne Blum, described in a press release as “the formidable French lawyer and confidante of Wallis Simpson, who at the hands of Blum found herself ensnared in a menacing grip of obsession and coercive control”.
Dame Joan Collins pictured at an Oscars after-party in 2024
via Associated Press
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Wallis Simpson married King Edward VIII 1937, after he abdicated from the throne so they could tie the knot.
After the pair visited Germany that same year without the proper approval, they were accused of being Nazi sympathisers, and Simpson spent much of the rest of her life in exile, particularly after the former monarch’s death in 1972.
Simpson’s final years were marred by several health issues, and she eventually died in 1986 at the age of 89.
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The Duke and Duchess of Windsor pictured together in 1941
via Associated Press
Dame Joan previously said of the movie: “First of all [Simpson is] full of pep and she’s got her young acolytes around her, then bit by bit she is destroyed by circumstances.
“It’s a very good script and it’s a great part for me. I’ve always been fascinated by Wallis, because I think she was unfairly treated.”
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Wallis Simpson has recently been played by Lia Williams in The Crown and Oscar nominee Andrea Riseborough in Madonna’s film about the couple, W.E.
The Substance has undeniably become one of the most talked-about movies of the past year thanks to its grisly gore and violence, scenes of full nudity and career-best performances from leads Demi Moore and Margaret Qualley.
But there’s one other thing that plenty of viewers picked up when watching the graphic body horror.
Yes, we’re talking about all of those arses.
Coralie Fargeat’s film is littered with close-ups of bums, whether it’s Demi Moore’s Elisabeth Sparkle in the shower, Margaret Qualley clad in lycra for her energetic aerobics routine or just the man that Sue sleeps with the night before her big New Year’s Eve show standing in the buff in the hallway.
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(Also so many butts. Half the time it felt like the camera was stuck at butt level. I did not mind. But it was an interesting artistic choice: butts)
— R \"Nearest\" Nabors (they/them) (@rachelnabors) February 4, 2025
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Well, Coralie has finally shared her take on why her work focusses so heavily on people’s posteriors (it’s been noted that her first film, Revenge, uses similar framing techniques).
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The Oscar nominee told Letterboxd: “The ass is a very strong symbol of how [a woman’s body] is not neutral in the public space. How our body is constantly scrutinised, has been shaped to please the man’s eyes, has been seen as a body part that was objectified, that was detached from the person who was simply bearing it.”
Margaret Qualley, Coralie Fargeat and Demi Moore at the premiere of The Substance last year
via Associated Press
She went on to say that The Substance uses so many bum close-ups as a way of inviting viewers to think about “how much it is the focus of so many different gazes that we have to live with, that we have to take into account, that we have to endure”.
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“That’s something that has defined the way we can inhabit the public space,” she explained. ”[That] shapes a lot of our behaviour.”
Coralie added: “It represents the way a woman should be totally free and entitled to use her body the way she wants, to show it if she wants, to be as sexy as she wants, to be totally at ease and happy, to be whoever, however, whatever she wants.
“To get to this place with real freedom without it being an injunction, without it being something that you reproduce because you feel that it’s your only way to exist… That’s what those shots represent to me.”
As well as specific nominations for Demi Moore and its director, The Substance is also in the running for Best Picture – a rare feat for a horror flick – as well as Best Original Screenplay and Best Makeup And Hairstyling.
Among them have been a religion-obsessed recluse in the horror film Heretic, an eccentric thespian in Paddington 2 and, infamously, an Oompa Loompa in the movie musical Wonka.
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Throughout it all, though, Hugh says he’s been choosy about the roles that he selects, turning down anything he thinks has been “insufficient in quality or independence allowed to the filmmakers”.
And that’s why he was so bemused when one of his more recent movies underperformed at the box office.
Speaking to Vanity Fair last year to promote Heretic, Hugh was asked about Dungeons & Dragons: Honor Among Thieves, in which he played the conniving scam artist Forge Fitzwilliam.
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Hugh Grant in 2023’s Dungeons & Dragons: Honor Among Thieves
PARAMOUNT PICTURES/Moviestore/Shutterstock
Despite largely glowing reviews (including from Hugh himself, who maintains it is “such a good film”), the adventure movie was described by some critics as a “box office bomb”, which the Bafta winner admitted he’s still perplexed by.
“It’s the biggest mystery to me,” the British star admitted, questioning: “Why didn’t anyone do market research before?”
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Hugh continued: “I think that’s what went wrong: Basically, people just thought, I don’t want to see a film about this game. Why had no one asked the public?”
The Love Actually star can currently be seen in the new Bridget Jones sequel Mad About The Boy, reprising the role of Daniel Cleaver from the first two films.
Apparently, the binge-drinking, heavy-smoking, chaotic lifestyle of Bridget Jonesisn’t aspirational to some people?
Personally, I can’t relate but according to one expert, the fictional anti-heroine caused a huge slump in sales of her favoured drink around the time of the column in The Independent and, of course, the film’s release back in 2001.
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The expert in question is Oz Clarke, a prestigious wine expert and writer from the UK.
‘The blame should be firmly placed at the door of Bridget Jones’
According to The Telegraph in 2008, Clarke said: “Chardonnay has made some of the world’s greatest wines, everyone appreciated it – until Bridget Jones.
“Bridget Jones goes out on the pull, fails, goes back to her miserable bedsit, sits down, pours herself an enormous glass of Chardonnay, sits there with mascara running down her cheeks saying, ‘Dear diary, I’ve failed again, I’ve poured an enormous glass of Chardonnay and I’m going to put my head in the oven.’ Great marketing aid.”
Personally, I would argue that Ms Jones was not supposed to feel relatable to Mr Clarke, and that’s before we even get into the recession that was flooding the UK at the time.
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Anyway, I digress.
The Independent reported at the time: “Across Britain fewer people are seeking solace – or enjoyment – in chardonnay. In the past 12 months, 7.5 million shoppers bought it, fewer than the previous year, according to the retail analysts TNS. Meanwhile, rivals such as sauvignon blanc and pinot grigio are rising in popularity.”
Clarke made his comments at London’s first self-storage wine facility, adding: “Until Bridget Jones, chardonnay was really sexy. After, people said, ‘God, not in my bar’.
“If you’re a marketing manager what would you say? ‘OK, I’m going to sell something that makes people feel really miserable. Let’s call it chardonnay!’”
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Other experts argued that the drink had simply taken a new direction
Alan Griffiths, former wine director of Berry Brothers, Britain’s biggest wine merchants, said: “The appeal of chardonnay is still very strong. It’s a safer bet for a party. It’s more likely to go down well for a group of 50 than a gewürztraminer or a riesling or a sauvignon blanc, which some people find too grassy or acidic.”
Personally, I’ll be raising a toast to Bridget before seeing the newest instalment of her story.
Bridget Jones: Mad About the Boy is out on February 13th in cinemas across the UK.
This article contains minor spoilers for Captain America: Brave New World.
Harrison Ford has opened up about his new penchant for saying yes to projects without actually looking at a script.
The Hollywood octogenarian has had an especially jam-packed few years, which have included prominent roles in the Apple TV+ comedy Shrinking, the Western drama 1923 and, of course, the reboot of the Indiana Jones franchise.
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For both of his TV ventures, Harrison has spoken in the past about how he signed on without ever reading a script, based solely on the reputation of their creators.
In a new interview with the Wall Street Journal, he revealed this approach extended to his role in the Marvel franchise.
“Again, no script,” he told the US outlet. “Why not? I saw enough Marvels to see actors that I admired having a good time.”
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Harrison joined the MCU in 2022, taking over the role of Thaddeus “Thunderbolt” Ross from the late William Hurt, and will make his Marvel debut in Captain America: Brave New World when it hits cinemas next month.
Because of signing on without reading a script, Harrison admitted that it came as a bit of a surprise when more of his character’s connection to another Marvel property was revealed at the end of the film, when Thunderbolt is revealed to be the Red Hulk.
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Harrison Ford’s character is revealed to be the Red Hulk in Captain America: Brave New World
“It’s like life,” the Star Wars actor quipped. “You only get so far in the kit until the last page of the instructions is missing.”
Later this year, Harrison is expected to reprise the role in another Marvel movie, Thunderbolts*, which features an all-star cast including Florence Pugh, Sebastian Stan, David Harbour and Julia Louis-Dreyfus.
But, of course, not everyone will be feeling quite so jubilant.
With only a handful of slots to fill, some of the biggest and most-celebrated performances of the past 12 months have gone unchecked by the Academy, with cinephiles on social media already going off about this year’s most notable “snubs”.
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Here are 11 of them…
Daniel Craig
Daniel Craig in Queer
Timothée Chalamet, Adrien Brody, Colman Domingo and Ralph Fiennes’ spots in the Best Actor category were pretty much dead certs by the time the Oscar nominations rolled around, leaving a few big names competing for the one remaining spot.
In the end, it’s gone to Sebastian Stan for his performance as Donald Trump in The Apprentice, but there are sure to be a few disappointed Daniel Craig fans.
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The former James Bond actor couldn’t have been further from the roles that have made him most famous in Luca Guadagnino’s Queer, in which he plays William Lee (a fictionalised version of the author William S Burroughs), an American writer who embarks on a journey of sexual and substance exploration.
Danielle Deadwyler and Ray Fisher in The Piano Lesson
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American performer Danielle Deadwyler received a wave of acclaim for her performance in the August Wilson adaptation The Piano Lesson.
While the film itself failed to score much awards season buzz, fans had hoped Danielle might scrape through in the Best Supporting Actress category for her role as Berniece, a woman determined to hold onto her late father’s piano when the rest of her family are hoping to sell it.
Considering the original Gladiator was a Best Picture recipient, it might come as a surprise to some to see the sequel pick up just one nomination in 2025, in the Best Costume Design category.
Lead actor Paul Mescal was among those to be singled out for praise when the action-packed epic hit cinemas last year, but it’s Denzel Washington who was really being tipped for awards buzz.
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After scoring a nomination at the Golden Globes last month, however, both the Baftas (who, interestingly, have never nominated Denzel in his entire 40-year screen career) and Oscars have paid him dust, making him one of this year’s most noticeable snubs.
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It’s rare that you’ll find outcry over a snub in the Best Score category – but then again, it’s rare a score will capture people’s attention in the way that Challengers’ did.
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The Nine Inch Nails musicians delivered one of last year’s most iconic contributions to the world of cinema when they scored Luca Guadagnino’s tennis-themed romance drama Challengers, perfectly amping up the tension between its central trio with their musical output.
We’re sure we’re not the only ones confused to see the score – which won a Golden Globe just a matter of weeks ago – not even nominated for an Oscar when it felt like such a shoo-in.
Margaret Qualley
Margaret Qualley in The Substance
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The Substance has been the surprise hit of 2025’s awards season, and we’re over the moon to see not just Demi Moore landing an acting nomination, but Coralie Fargeat’s name popping up on the Best Director shortlist.
However, there’s no denying that The Substance was a two-header, and while we’re over the moon for Demi scoring her first Oscar nomination at this stage of her career, we’re still a little sad there wasn’t space for Margaret Qualley in the Best Supporting Actress category.
The Maid star has made no secret of what she put herself through to help bring the character of Sue (and, perhaps more impressively, Monstro Elisasue) to life, and she was the perfect foil to her Golden Globe-winning co-star’s character in the graphic body horror.
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Marianne Jean-Baptiste
Marianne Jean-Baptiste in Hard Truths
She may not have had the fanfare and loud push behind her that the likes of Wicked’s Cynthia Erivo or even Demi Moore have had over the last few months, but Marianne Jean-Baptiste had quietly been climbing up the ranks as a contender for a Best Actress nomination thanks to her role in Mike Leigh’s Hard Truths.
When Hard Truths premiered at Toronto Film Festival towards the end of last year, Marianne’s performance as a pessimistic woman struggling to connect with those closest to her saw her being met with a wave of praise, which has translated into recognition from the Baftas and Critics’ Choice Awards.
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The British performer was nominated for an Oscar once before for her role in another of Mike Leigh’s projects, Secrets & Lies.
Pamela Anderson
Pamela Anderson in The Last Showgirl
Alright, we know this one was always going to be a long shot, but “Oscar nominee Pamela Anderson” had such a ring to it that we couldn’t help crossing our fingers that this could be her year.
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Oscar nomination or not, we’ll still be seeing The Last Showgirl the second it hits UK cinemas, and we’re certain this is the beginning of a new era of the former Baywatch star’s career.
For the past few months, Stanley Tucci has been hovering around the middle of the list of favourites to score a Best Supporting Actor nod (which would have marked his second ever nomination, after 2009’s The Lovely Bones) but sadly, it wasn’t to be.
He’ll just have to make do with being the entire internet’s imaginary husband instead, we suppose…
","type":"video","meta":{"author":"Warner Bros. Pictures","author_url":"https://www.youtube.com/channel/UCjmJDM5pRKbUlVIzDYYWb6g","cache_age":86400,"description":"Long Live the Fighters. #DunePartTwo only in theaters March 15.\n\n—————–\nhttps://www.instagram.com/dunemovie/\nhttps://www.facebook.com/dune\nhttps://twitter.com/dunemovie \nhttps://www.tiktok.com/@dunemovie \n—————–\nThe saga continues as award-winning filmmaker Denis Villeneuve embarks on “Dune: Part Two,” the next chapter of Frank Herbert’s celebrated novel Dune, with an expanded all-star international ensemble cast. The film, from Warner Bros. Pictures and Legendary Pictures, is the highly anticipated follow-up to 2021’s six-time Academy Award-winning “Dune.”\nThe big-screen epic continues the adaptation of Frank Herbert’s acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet (“Wonka,” “Call Me by Your Name”), Zendaya (“Spider-Man: No Way Home,” “Malcolm & Marie,” “Euphoria”), Rebecca Ferguson (“Mission: Impossible – Dead Reckoning”), Oscar nominee Josh Brolin (“Avengers: End Game,” “Milk”), Oscar nominee Austin Butler (“Elvis,” “Once Upon A Time…In Hollywood”), Oscar nominee Florence Pugh (“Black Widow,” “Little Women”), Dave Bautista (the “Guardians of the Galaxy” films, “Thor: Love and Thunder”), Oscar winner Christopher Walken (“The Deer Hunter,” “Hairspray”), Stephen McKinley Henderson (“Fences,” “Lady Bird”), Léa Seydoux (the “James Bond” franchise and “Crimes of the Future”), with Stellan Skarsgård (the “Mamma Mia!” films, “Avengers: Age of Ultron”), with Oscar nominee Charlotte Rampling (“45 Years,” “Assassin’s Creed”), and Oscar winner Javier Bardem (“No Country for Old Men,” “Being the Ricardos”).\n“Dune: Part Two” will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee. \nVilleneuve directed from a screenplay he co-wrote with Jon Spaihts based on Herbert’s novel. The film is produced by Mary Parent, Cale Boyter, Villeneuve, Tanya Lapointe and Patrick McCormick. The executive producers are Josh Grode, Herbert W. Gains, Jon Spaihts, Thomas Tull, Brian Herbert, Byron Merritt, Kim Herbert, with Kevin J. Anderson serving as creative consultant.\nVilleneuve is again collaborating with his “Dune” creatives: Oscar-winning director of photography Greig Fraser; Oscar-winning production designer Patrice Vermette; Oscar-winning editor Joe Walker; Oscar-winning visual effects supervisor Paul Lambert; Oscar-nominated costume designer Jacqueline West. Oscar-winning composer Hans Zimmer is again on hand to create the score.\n“Dune: Part Two” was filmed on location in Budapest, Abu Dhabi, Jordan and Italy. The film is slated for a March 15, 2024 worldwide release from Warner Bros. 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With 10 slots in the Best Picture category and only five in Best Director, there’s always going to be someone who winds up disappointed.
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But considering everything that Denis Villeneuve had to contend with to make Dune: Part Two the epic that it was (it’s one of the year’s most-nominated films thanks to recognition in more technical categories, which is no mean feat for a sequel), a Best Director nomination would have been fitting.
Angelina Jolie
Angelina Jolie in character as Maria Callas
The Best Actress category was absolutely heaving with competition this year, and we understand there can’t be room for everyone, but Angelina Jolie’s major comeback to the cinema world after a few years away felt so triumphant that an Oscar nomination would have been more fitting – especially given the performance she delivers in Maria.
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While this may not be the year the former Best Supporting Actress wins over the Academy yet again, there’s no denying that it’s great to have Angelina back, and we can’t wait to see what this unusual thinker chooses for her next project.
Selena Gomez
Selena Gomez in Emilia Pérez
Emilia Pérez may not have been to everyone’s tastes, but do a quick search on social media for Selena Gomez’s name, and you’ll see it for yourself, there are a lot of people seriously pissed off that she didn’t make the cut.
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The divisive Netflix musical is, of course, this year’s most-nominated film at the Oscars, with 13 nods in total. Had Selena been recognised, that number would have matched Emilia Pérez with Titanic, All About Eve and La La Land as the joint most-nominated films in history.
Last year’s hit film adaptation of Wicked was full of cameos for fans of the original stage show – but there was one that never actually made it to the big screen.
After dominating the box office in 2024, the movie musical recently had its home release, one iteration of which features commentary from director Jon M Chu.
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During his commentary, Jon discloses that he was contacted by a certain heavyweight from the musical theatre world, who had a very specific cameo in mind before production got underway.
Referring to opening number No One Mourns The Wicked, Jon said (as reported by Gizmodo): “When that woman says, ‘Glinda, is it true you were her friend?’, I got many calls from Lin-Manuel Miranda.
“He might have publicly also tweeted that he wanted to be that voice and that person.”
Lin-Manuel Miranda
via Associated Press
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However, after mulling it over, Jon ultimately decided it would be “too distracting” to have Lin-Manuel pop up so early on in the film.
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Dear Stephen Daldry: Can I play the guy who goes, \"Is it true you were her FRIEND?!\" https://t.co/vnrFyhvFzF— Lin-Manuel Miranda (@Lin_Manuel) June 16, 2016\n\n\n","options":{"_hide_media":{"label":"Hide photos, videos, and cards","value":false},"_maxwidth":{"label":"Adjust width","placeholder":"220-550, in px","value":""},"_theme":{"value":"","values":{"dark":"Use dark theme"}}},"provider_name":"Twitter","title":"Lin-Manuel Miranda on Twitter / X","type":"rich","url":"https://twitter.com/Lin_Manuel/status/743564773074272260","version":"1.0"},"flags":[],"enhancements":{},"fullBleed":false,"options":{"theme":"news","device":"desktop","editionInfo":{"id":"uk","name":"U.K.","link":"https://www.huffingtonpost.co.uk","locale":"en_GB"},"originalEdition":"uk","isMapi":false,"isAmp":false,"isVideoEntry":false,"isEntry":true,"isMt":false,"entryId":"678f636fe4b09896a6c05007","entryPermalink":"https://www.huffingtonpost.co.uk/entry/why-wicked-director-jon-m-chu-turned-down-cameo_uk_678f636fe4b09896a6c05007","entryTagsList":"ukfilm,wicked,lin-manuel-miranda,jon-m-chu","sectionSlug":"entertainment","deptSlug":null,"sectionRedirectUrl":null,"subcategories":"","isWide":false,"headerOverride":null,"noVideoAds":false,"disableFloat":false,"isNative":false,"commercialVideo":{"provider":"custom","site_and_category":"uk.entertainment","package":null},"isHighline":false,"vidibleConfigValues":{"cid":"60afc140cf94592c45d7390c","disabledWithMapiEntries":false,"overrides":{"all":"60b8e525cdd90620331baaf4"},"whitelisted":["56c5f12ee4b03a39c93c9439","56c6056ee4b01f2b7e1b5f35","59bfee7f9e451049f87f550b","5acccbaac269d609ef44c529","570278d2e4b070ff77b98217","57027b4be4b070ff77b98d5c","56fe95c4e4b0041c4242016b","570279cfe4b06d08e3629954","5ba9e8821c2e65639162ccf1","5bcd9904821576674bc55ced","5d076ca127f25f504327c72e","5b35266b158f855373e28256","5ebac2e8abddfb04f877dff2","60b8e525cdd90620331baaf4","60b64354b171b7444beaff4d","60d0d8e09340d7032ad0fb1a","60d0d90f9340d7032ad0fbeb","60d0d9949340d7032ad0fed3","60d0d9f99340d7032ad10113","60d0daa69340d7032ad104cf","60d0de02b627221e9d819408"],"playlists":{"default":"57bc306888d2ff1a7f6b5579","news":"56c6dbcee4b04edee8beb49c","politics":"56c6dbcee4b04edee8beb49c","entertainment":"56c6e7f2e4b0983aa64c60fc","tech":"56c6f70ae4b043c5bdcaebf9","parents":"56cc65c2e4b0239099455b42","lifestyle":"56cc66a9e4b01f81ef94e98c"},"playerUpdates":{"56c6056ee4b01f2b7e1b5f35":"60b8e525cdd90620331baaf4","56c5f12ee4b03a39c93c9439":"60d0d8e09340d7032ad0fb1a","59bfee7f9e451049f87f550b":"60d0d90f9340d7032ad0fbeb","5acccbaac269d609ef44c529":"60d0d9949340d7032ad0fed3","5bcd9904821576674bc55ced":"60d0d9f99340d7032ad10113","5d076ca127f25f504327c72e":"60d0daa69340d7032ad104cf","5ebac2e8abddfb04f877dff2":"60d0de02b627221e9d819408"}},"connatixConfigValues":{"defaultPlayer":"8b034f64-513c-4987-b16f-42d6008f7feb","clickToPlayPlayer":"5a777b9b-81fe-41a6-8302-59e9953ee8a2","videoPagePlayer":"19654b65-409c-4b38-90db-80cbdea02cf4"},"topConnatixThumnbailSrc":"data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mNkYAAAAAYAAjCB0C8AAAAASUVORK5CYII=","customAmpComponents":[],"ampAssetsUrl":"https://amp.assets.huffpost.com","videoTraits":null,"positionInUnitCounts":{"buzz_head":{"count":0},"buzz_body":{"count":0},"buzz_bottom":{"count":0}},"positionInSubUnitCounts":{"article_body":{"count":7},"blog_summary":{"count":0},"before_you_go_content":{"count":0}},"connatixCountsHelper":{"count":0},"buzzfeedTracking":{"context_page_id":"678f636fe4b09896a6c05007","context_page_type":"buzz","destination":"huffpost","mode":"desktop","page_edition":"en-uk"},"tags":[{"name":"ukfilm","slug":"ukfilm","links":{"relativeLink":"news/ukfilm","permalink":"https://www.huffingtonpost.co.uk/news/ukfilm","mobileWebLink":"https://www.huffingtonpost.co.uk/news/ukfilm"},"section":{"title":"Entertainment","slug":"entertainment"},"topic":{"title":"Film","slug":"ukfilm","overridesSectionLabel":false},"url":"https://www.huffingtonpost.co.uk/news/ukfilm/"},{"name":"Wicked","slug":"wicked","links":{"relativeLink":"news/wicked","permalink":"https://www.huffingtonpost.co.uk/news/wicked","mobileWebLink":"https://www.huffingtonpost.co.uk/news/wicked"},"relegenceId":3653084,"url":"https://www.huffingtonpost.co.uk/news/wicked/"},{"name":"Lin-Manuel Miranda","slug":"lin-manuel-miranda","links":{"relativeLink":"news/lin-manuel-miranda","permalink":"https://www.huffingtonpost.co.uk/news/lin-manuel-miranda","mobileWebLink":"https://www.huffingtonpost.co.uk/news/lin-manuel-miranda"},"relegenceId":5618753,"url":"https://www.huffingtonpost.co.uk/news/lin-manuel-miranda/"},{"name":"Jon M. 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Two of the stand-out cameos from Wicked came from Idina Menzel and Kristin Chenoweth, who played the original Elphaba and Glinda on Broadway.
“It’s just so fun,” Jon said of Idina and Kristin’s unexpected appearances, explaining: “It was the middle of the night, and I think [for them] to see this giant set that we had built for a movie of a legacy that they built, these characters that they built from the ground up, was a beautiful thing for them to see.
“We were all, again, all in tears all the time. And then Idina gets to do her iconic war cry and same thing with Kristin, she gets to do her soprano. So fun.”