Netflix has admitted that the real woman Baby Reindeer’s Martha is based on was not technically convicted of stalking Richard Gadd in real life.
The runaway streaming hit was billed as a “true story” upon its release in April of this year, and creator and star Richard has spoken candidly in interviews about how the show is based on a real stalking ordeal he endured.
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While the real-life stalker was never identified, last month the streamer was hit with a $170 million (around £133,000) lawsuit by the woman who claims she inspired the character.
Netflix has now acknowledged that the real “Martha” – who has since been identified as Fiona Harvey – only received a court order over her interactions with Richard – not a conviction – according to a report in Deadline.
Earlier this year, a lawmaker questioned a statement Netflix made during a hearing, after which the streamer admitted in a letter to parliament’s Culture, Media and Sport Committee that the real “Martha” was never convicted.
Benjamin King, Netflix’s senior UK director of public policy, appeared before the committee in May to detail how Baby Reindeer is the “true story of the horrific abuse” Richard suffered “at the hands of a convicted stalker”.
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Committee member John Nicolson subsequently wrote to Netflix requesting evidence to support this claim.
In response, Benjamin wrote in the letter: “I wanted to clarify our understanding that the person on whom the show is based — who we have at no point sought to identify — was subject to a court order rather than a conviction.”
He added: “The writer of Baby Reindeer endured serious harassment over many months (as it now seems has been the case for many others), which had a significant impact on his wellbeing.”
In the Emmy-nominated series, Martha is depicted as pleading guilty to stalking and is sentenced to prison time.
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Last month, Harvey accused the company of “defamation, intentional infliction of emotional distress, negligence, gross negligence” and “violations of [her] right to privacy”, and is now seeking $170 million in damages.
In a court filing on Monday, Richard reaffirmed his stance that the series is “emotionally true” to his own life, and not intended to be a “a beat-for-beat recounting”.
The British actor received widespread praise for her performance as a stalker in the Netflix show, which became a word-of-mouth global hit after it began streaming earlier in the year.
She and her co-stars Richard Gadd and Nava Mau recently sat down with Netflix to reflect on the show’s success, which its creator and leading actor revealed has surpassed his expectations.
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“I really believed in it, I thought it was good, I thought it was different, I thought it would provoke conversation, but I thought it would probably be like a critical cult success,” he admitted. “[I thought] it would sort of sit on the platform as a bit of a sort of artistic gem.
“It’s just crazy that it has resonated with so many people.”
Proving Richard’s point, Jessica disclosed that she recently had an encounter with one Baby Reindeer fan that wound up giving them quite the fright.
“The other day I actually got out of my car, and I hadn’t had any makeup on and my hair was probably a little bit Martha-esque,” she explained. “And a lady just screamed when she saw me.
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“I was like, ‘I’m so sorry’, and she went, ‘no I’m sorry – I just finished episode seven’.”
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Members can play, pause and resume watching as much as they want, anytime, anywhere, and can change their plans at any time.\n\nThe Baby Reindeer Cast Respond to Fan Reactions | Netflix\nhttps://www.youtube.com/@netflixbehindthestreams\n\nWhen a struggling comedian shows one act of kindness to a vulnerable woman, it sparks a suffocating obsession which threatens to wreck both their lives.","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until clicked","value":false}},"provider_name":"YouTube","thumbnail_height":720,"thumbnail_url":"https://i.ytimg.com/vi/EkF7Mssl9ik/maxresdefault.jpg","thumbnail_width":1280,"title":"The Baby Reindeer Cast Respond to Fan Reactions | 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For those who’ve already forgotten, episode seven served as the Baby Reindeer finale, and sees Martha tracking down Donny’s family before finally being convicted with stalking.
After that, Donny then becomes obsessed with listening back to voicemail messages that she left him, and re-reading her old emails.
Jessica added: “She’d finished episode seven, turned the TV off, walked outside and then I was like, ‘hello!’ Imagine! No wonder she was terrified!”
Baby Reindeer has quickly become the biggest word-of-mouth TV hit of the year so far, and it’s not hard to see why.
The Netflix miniseries depicts the complicated true story of creator Richard Gadd’s years-long ordeal with a female stalker.
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He wrote and stars in the series as Donny alongside Jessica Gunning, who has won huge acclaim for her nuanced performance as stalker Martha.
Fans of the show have been shocked to discover just how much of the series is steeped in truth, but there are plenty more behind-the-scenes facts that make Baby Reindeer an even more incredible watch…
First of all, yes, Baby Reindeer is all based on a true story
Undoubtedly one of the most shocking things about Baby Reindeer is that it’s all based on a real life stalking ordeal creator Richard Gadd endured for around four-and-a-half years of his life.
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Everything from Donny and Martha’s first meeting in the pub, her relentless texts and emails, and the darker chapters – including his sexual assault – are based on truth.
Among the most disturbing details about the show is that all the emails Donny receives in the show are verbatim copies of the real correspondence.
Richard received a total of 40,000 emails, 740 social media posts and 350 hours’ worth of voicemails from his real stalker, and each email in the show is chillingly depicted word for word.
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However, it’s important to note that not everything depicted in Baby Reindeer is a ‘carbon copy’ of real life
While many details of the show are true to Richard Gadd’s own experiences, the writer has insisted that the show is not an exact recreation of people and events exactly as they happened.
“A lot of it is very true, and all of it is emotionally true,” he told Gay Times. “Obviously, we can’t carbon copy people and identities, for various artistic and legal reasons. But, it is certainly based in emotional truth and lots of the action you see in it happened for real.”
In particular, Richard Gadd wanted to ensure the identity of his real stalker was protected
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The subject of Richard’s real life stalker has inevitably intrigued fans after watching the show – to the point where he’s even pleaded with viewers not to speculate online.
He previously insisted that measures were taken to ensure her identity remained unknown.
“I honestly couldn’t speak as to whether she would watch it,” he told GQ. “Her reactions to things varied so much that I almost couldn’t predict how she’d react to anything. She was quite an idiosyncratic person.
“We’ve gone to such great lengths to disguise her to the point that I don’t think she would recognise herself. What’s been borrowed is an emotional truth, not a fact-by-fact profile of someone.”
Baby Reindeer started life as a one-man stage play
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Before viewers were binge-watching Baby Reindeer on Netflix, Richard was performing a stage version of his story in a one-man Edinburgh Festival Fringe show in 2019.
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In that version, Martha was represented by an empty bar stool.
“It was me and a stool — Martha was a stool and I carried the stool around stage and I’d move her into different positions,” Richard told Variety.
“So to bring it from a 70-minute monologue into seven episodes, multiple characters, different strands and plot lines, it was a massive undertaking and a load of pressure.”
It later transferred to the West End and even won an Olivier Award for Outstanding Achievement In Affiliate Theatre.
Richard’s early stand-up comedy really was as bad as his on-screen counter-part’s
Donny’s comedy routines in Baby Reindeer are… interesting, to say the least. Decked out in elaborate costumes and a suitcase of wacky props, the actor’s struggling comedy career forms the backdrop of the show.
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It turns out that his old stand-up performances really did resemble what we see in the screen. In an interview with the Guardian, he recalled the strange “juxtaposition” of his “tormenting” personal life, with his more mad-cap stage performances.
He added that, while audiences at the Edinburgh Fringe “love weird stuff”, those routines wouldn’t go down so well on the regular comedy circuit.
“I’d perform on the comedy circuit 11 months out of the year, to silence, because people expect more stuff that they see on TV,” he explained.
“Especially if they pay a high ticket price, they want to see dependable, seasoned, veteran comedians, and there’s this guy who’s taping ears to his nose, and they’re thinking: ‘This isn’t what I paid for.’”
Speaking in a video feature for Netflix, he elaborated that “the stand-up in the earlier years was terrible”, adding that he was trying to do “a weird brand” of “anti-comedy”.
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Members can play, pause and resume watching, as much as they want, anytime, anywhere, and can change their plans at any time.\r\n\r\nhttps://www.twitter.com/netflixSA \r\nhttps://www.instagram.com/NetflixSA \r\nhttps://www.Facebook.com/NetflixSouthAfrica \r\nhttps://www.twitter.com/NetflixNaija \r\nhttps://www.instagram.com/NaijaOnNetflix \r\nhttps://www.facebook.com/netflixnaija\r\n\r\nBaby Reindeer | The (True) Backstory \r\nhttps://www.youtube.com/@AfricaOnNetflix\r\n\r\nWhen a struggling comedian shows one act of kindness to a vulnerable woman, it sparks a suffocating obsession which threatens to wreck both their lives.","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until 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Richard said he always had Jessica in mind for the part of Martha, telling ITV’s Lorraine: “I’d always seen Jess in various different shows and always thought that every role you did, you brought this kind of amazing nuance to it – always elevated everything you were in.”
He added that it was “something about your essence on camera that made me think, ‘this is Martha, we have to get her in.’”
Jessica had an interesting approach when it came to the audition process
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In the lead-up to her audition, Jessica was leaving nothing up to chance.
“Usually I kind of leave it up to the universe – ‘If I’m right for this part, I’m right for this part,’” she told Vanity Fair. “But I had such a strong response [to the script].”
She even went so far as to have a makeup artist friend help age her appearance, so she could convince the show’s creators she could play an older character.
However, the two-decade age gap featured in the original Baby Reindeer play was eventually reduced by Netflix.
Jessica’s performance was so impressive Richard would find himself getting distracted on set
“To see Martha come alive through Jess’ performance, it was something to behold,” Richard shared in a Netflix video feature. “There were times on set when I was acting with her, I’d almost forget to say my line back, because I was too busy going, ‘Fucking hell she’s good’.”
He added that he “almost couldn’t believe how much she was channelling the real life person”.
It wasn’t exactly easy for Jessica to switch Martha off after a day of filming
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Jessica has revealed that bringing Martha to life wasn’t without its challenges..
“I always used to roll my eyes slightly when actors said ‘Oh god, it took me a week to say goodbye,’ but because this is obviously based on a true story, and I know Richard now, I wanted to do the part justice so much I think I was constantly with her all the time in my head,” she told Metro.
“Even when there were days I wasn’t in, I was thinking of Martha and the story, just wanting to do the best I could do,” Jessica added.
“In that aspect, I didn’t really let go of her until we finished filming. I couldn’t really put her to bed.”
Martha’s email address also contains a hidden reference to a classic show
All of Martha’s emails on the show come from an address resembling a spam account, but the seemingly scrambled sequence is not random at all.
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Journalist (and Lost superfan) Jacob Stolworthy pointed out on X that those numbers are in fact the infamous cursed numbers from Lost.
Baby Reindeer: the ‘random series of numbers like spam’ used in the stalker’s email address are, in fact, the cursed numbers from LOST pic.twitter.com/JksoAJwLJs
One scene shares a key filming location with another of Jessica Cunningham’s biggest projects
While Donny initially tries to limit his dates with Teri to a dingy cocktail bar, she eventually coaxes him into a night out with her at London’s iconic LGBTQ+ venue the Royal Vauxhall Tavern.
These scenes were filmed at the real RVT, which also served as a filming location in All Of Us Strangers starring Andrew Scott and Paul Mescal.
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Funnily enough, the bar was previously used as a shooting location in another project Jessica Gunning appeared in – 2014’s Pride, about a group of gay activists who set out to help during the 1984 miners’ strike.
Other projects that have been shot at the Royal Vauxhall Tavern in recent history include Absolutely Fabulous: The Movie and Danny Boyle’s miniseries Pistol.
Richard Gadd has an interesting theory about one of the show’s most important scenes
Donny is first introduced to Martha when she enters the pub where he works in tears. As a gesture of kindness, he gives Martha a cup of tea on the house. It’s the catalyst to the whole saga – but it’s never detailed why she was so upset in the first place.
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Appearing on This Morning, host Cat Deeley asked Richard if he knew what prompted the real “Martha” to come into his pub so upset.
“No, but I questioned it all of the time,” he said, before sharing his own idea. “I wondered if it was the end of her stalking relationship with someone else and the start of it with me.”
Nava Mau actually learned ballet to play Teri
It turns out the cast of Baby Reindeer did not cut any corners with the show.
One brief scene in episode five shows Teri demonstrating her ballet skills to Donny in her apartment. Although it’s a fleeting moment for viewers, this choreography wasn’t just thrown together – Nava actually learned ballet.
Speaking to Gay Times, she shared: “Every single day on set, I was doing something I had never done before, whether that’s technical or emotional. I had to learn ballet!”
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Baby Reindeer made use of an intimacy coordinator in to make sure everything was handled sensitively
The Baby Reindeer crew brought in the expertise of intimacy coordinator Elle McAlpine, who has previously worked on huge productions like the Oscar-winning Poor Things and Netflix’s One Day.
Nava Mau told GQ it was “really helpful to have a third person” brought into the show’s unique dynamic.
“She had some great little tips for some of the intimate scenes on how to perform them in a way that felt true and connected,” she added.
One scene in particular was ‘traumatic’ for everyone involved
There are plenty of moments in Baby Reindeer that make for difficult viewing, but one scene was especially challenging for the whole cast.
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In episode three, Martha catches Donny and Teri on a date, which triggers her to confront and brutally attack Teri. Richard told Gay Times that this scene was “traumatic for everyone”, explaining: “I saw them do that fight scene, rolling around on the floor take after take.”
He added that Nava’s character was required to cry for “10 minutes straight”. It was especially challenging for her because she had “experienced violence like that” before.
She explained: “Even if I didn’t want to relive it, your body inevitably reactivates a certain physical memory. You have to take care of yourself, before, during and after. That’s the only way through it, otherwise it can reopen wounds that you’ll need to deal with.”
“I had physical recall in my muscle memory from when I’ve been attacked like that,” she later revealed to Glamour.
However, Nava did also tell the magazine that co-star Jessica had her “cracking up” between takes while filming their fight sequence.
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“It was such a blessing that I met Jess for the first time when we were doing our stunt training,” she said. “And she was the most lovely person you could ever meet.’
The ending was deliberately ambiguous
Baby Reindeer doesn’t end on the good-triumphs-over-evil kind of climax we’re more used to seeing in other TV series.
Instead, the final scene finds Donny on the receiving end of a familiar act of kindness when a barman offers him a free drink – mirroring the first episode. It’s an ending that’s open to all kinds of interpretations, which was very much deliberate on Richard’s part.
“I quite like the ambiguity of the ending, I sort of don’t want to put a meaning on it. I think it can be interpreted in a lot of different ways,” he told the Radio Times.
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“I know what it is in my head – that ending’s my favourite thing in the whole series, the way it ends.”
Baby Reindeer is available to watch on Netflix now.
Since the arrival of Baby Reindeer on Netflix this month, fans have been shocked and moved by the powerful new show about one man’s stalking ordeal.
The miniseries follows pub worker Donny and his experience dealing with a stalker called Martha, while also exploring themes of sexual assault and mental health.
Jessica Gunning actor delivers a thoughtful, multi-layered performance as Donny’s stalker Martha in Baby Reindeer.
She caught Richard’s eye thanks to her impressive TV resume including roles in The Outlaws, Back and Fortitude. Going back further, her credits range from Trollied, Jericho, What Remains and the UK version of Law & Order: UK.
Nava Mau plays the love interest Teri in Baby Reindeer, and is fairly new to the TV industry.
She has appeared in a few short films, but her biggest role so far was playing Ana in the US dramedy, Genera+ion alongside Justice Smith.
Tom Goodman-Hill
Tom Goodman-Hill plays Donny’s abuser, Darrien, in Baby Reindeer, appearing in some of the show’s most harrowing moments.
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He previously appeared in episodes of Silent Witness, Cheat, Humans and Mr Selfridge, as well as the very first episode of Black Mirror, The National Anthem, playing an advisor to the fictional prime minister Michael Callow.
Before playing one of the managers at Donny’s pub job in Baby Reindeer, Danny Kirrane’s TV show appearances included The Sandman, The Serpent Queen and Trollied.
Hugh plays a drama school friend of Donny’s in Baby Reindeer, having previously been in TV shows like Juice Dreamland, Atlanta, Death In Paradise and Defending The Guilty. He also made his film debut in 2018’s The Festival, from the creator of The Inbetweeners.
On the stage he played the original role of George McFly in the stage musical version of Back To The Future, which earned him a nomination at the 2022 Oliviers.
Michael Wildman
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Emmerdale fans will of course know Michael for playing Al Chapman on the soap between 2019 and 2022. He also has TV credits in Marcella, Rellik, Back, Family Affairs and Casualty.
As for film roles, he’s had small and supporting appearances in films like Fast & Furious: Hobbs & Shaw, Ready Player One, London Has Fallen and The Bourne Ultimatum. And, not that anyone would recognise Michael under all the prosthetics and makeup, he even played the centaur Magorian in Harry Potter and the Order of the Phoenix.
Shalom Brune-Franklin
Before she landed the part of Donny’s ex-girlfiend Keeley in Baby Reindeer, you probably recognised from her performance as DC Chloe Bishop in Line Of Duty’s seventh season.
She also appeared in Our Girl, The Tourist and the 2023 TV adaptation of Great Expectations.