One of the most beloved Pixar films in the studio’s history is getting a sequel, with Inside Out 2 hitting cinemas this weekend.
The new movie takes us back into the mind of a now 13-year-old Riley and the mission control centre of emotions inside her head.
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However, this time around, there’s a whole host of new feelings added into the mix, thanks to the help of a stellar expanded cast, including The Bear’s Ayo Edebiri as Envy, Stranger Things’ Maya Hawke as Anxiety and Passages’ Adèle Exarchopoulos as Ennui.
The first reviews for Inside Out 2 have been hugely positive, praising the sequel for living up to the magic of the first film. That being said, others have said that it’s missing a certain spark that made the original so popular.
Here’s a sample of what critics have had to say so far…
“Inside Out 2 glimmers with diamond-hard truths about the complex business of being a human being – especially a teenage human being – but it’s still a fast-paced and playful comedy adventure with even more jokes and more puns than Inside Out.”
“Through this decade so far, Pixar’s films have held great ideas that haven’t quite reached their full potential. This is probably its best film since Coco, and best sequel since Toy Story 3.”
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“It’s a lovely sequel, without a trace of cynicism to it, that also by necessity lacks a little of the freshness and originality of 2022’s Turning Red or 2021’s Luca…What was once a lesson in the necessity of negative emotions, such as sadness, has now matured into its second stage: a bittersweet, tear-jerking reminder that we’re better, more rounded people when we embrace our flaws and insecurities.”
“Wanting Inside Out 2 to match the first movie was always set to be an unlikely challenge as it was such a unique concept. What the sequel does achieve is being a worthy follow-up that expands the world with brilliant tweaks to the concept, as well as delivering witty gags that simplify big ideas.”
“New feelings propel a Pixar sequel enchanting enough to second that emotion… Inside Out 2 marks a triumphant creative return for Pixar, bringing off the thing that this studio, at its best, has done better than anyone: finding the sweet spot that merges the gaze of children and adults.”
“Pixar has been good at tackling thorny emotional terrain in an accessible, translatable-for-all-ages way since Buzz first met Woody. When Inside Out went the extra step of giving us a literalized emotional terrain and rendering everything with such a heart-rending wallop, it lifted the bar that much higher. Inside Out 2 makes good on that film’s promise by making good on its next-step premise.”
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“After a period of some ups and more downs, Pixar can at least boast of following up one of their later classics respectfully. [Inside Out 2] deserves the healthy audiences it will surely stir up.”
“Delightful sequel set in turbulent early adolescence…The message of Inside Out 2 is as universal and good-hearted as that of its predecessor: You might not know from one minute to the next what emotion is driving a teenage mind, but every messy part of the mechanism has both function and beauty.”
“There are some laughs, but it sees the teen transition in terms of a moral crisis, of abandoning and then reclaiming the niceness of childhood innocence; it’s a little bit convoluted and repetitive and, in its sanitised, Disneyfied way, this film can’t quite bring itself to mention the most important new teen emotion of all. Have the grown-ups in charge of this film really forgotten?”
“While its chaotic new cast serves a clear purpose, Inside Out 2 is more metaphor than meaning. It explains plenty about the confusing emotions associated with puberty, often in intelligent ways, but it rarely lets them be felt or experienced, the way its predecessor did.”
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“Pixar’s talky, uneventful sequel doesn’t have much fun in mind… Battle-weary parents of surly teens will have some fun here and there, especially when Ennui’s blasé influence opens up a ‘sar-chasm’ in Riley’s brain that makes everything sound, well, sarcastic. But, when all’s said and done, the stakes are so minor, it’s hard to imagine anyone will leave this desperate to see an Inside Out 3.”
“All brains and no heart, this disappointing sequel proves Pixar learned all the wrong lessons from its pandemic years… Pixar’s obsession with universal relatability results in another movie that feels more like a corporate spreadsheet than a glimpse into a real person’s brain.”
Inside Out 2 comes to UK cinemas on Friday 14 June.
A new clip of Ayo has been doing the rounds on social media this week, revealing just how multi-talented a performer she really is.
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She’s part of the cast of Disney’s new Inside Out sequel, which is slated for release next month, nine years after we were first introduced to Riley Andersen and the many emotions who live inside her head.
With Riley turning 13 in the second instalment, Inside Out 2 welcomes some intriguing new characters into the mix, including Anxiety, Ennui, Embarrassment and Envy, who Ayo lends her voice to.
In a behind-the-scenes snippet showing Ayo energetically recording her lines, fans have been blown away by just how effortless the star made it look.
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“Perfect casting,” one X user enthused, while another agreed: “No need for a trailer after this.”
“Didn’t know I’d be jumping up and down for Inside Out 2 but here we are,” a third shared.
Unsurprisingly, it’s been a pretty unanimous response…
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Inside Out 2 will also star returning cast members Amy Poehler as Joy, The Office’s Phyllis Smith as Sadness and Lewis Black as Anger, though Bill Hadar’s Fear has been recast to Tony Hale and Mindy Kaling’s Disgust to Liza Lapira.
Riley will also be voiced by Kensington Tallman, who’s replacing Kaitlyn Dias.
New cast members include Stranger Things’ Maya Hawke as Anxiety, Passages’ Adèle Exarchopoulos as Ennui, Black Bird’s Paul Walter Hauser as Embarrassment and Nebraska’s June Squibb as Nostalgia.
Inside Out 2 is due for release on Friday 14 June.
The stage actor revealed in an interview with Entertainment Weekly that he and his co-star Ernie Sabella were exhausted from nightly Broadway performances while recording the voices for Timon and Pumbaa — and gave the warthog his flatulence.
“So, we would record in the mornings sometimes, and we’d be a little sleepy,” Lane told the outlet. “And Ernie, to entertain me during the recording, would make flatulent noises. While he was doing his dialogue, he would make fart sounds to make me laugh.”
“And they eventually incorporated that into the character and the song,” he continued.
Pumbaa and his wiry meerkat companion arguably became the most memorable characters of the 1994 film, which is a loosely retold version of William Shakespeare’s Hamlet from the perspective of a young lion whose father is slain at the paws of his uncle. The film is celebrating its 30th anniversary this year.
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It’d soon become an Oscar-winning classic, but the then-titled King of the Jungle was still an uncertain gamble when Disney approached Lane and Sabella. While the duo was performing Guys and Dolls on Broadway at the time, they took the job.
“So, we get there, and we’re pretty beat up from five shows, and to get the ball rolling, I just started making these sounds as he was reading his lines,” Sabella told EW. “He kept laughing, going, ‘Don’t do that, don’t do that.’ I said, ‘I’ll stop.’ And then kept doing it. That’s the story of how Pumbaa became the first and only Disney character with flatulence.”
Lane and Sabella initially weren’t even approached to voice Timon and Pumbaa specifically, as Disney only created those characters after their audition. The actors made history as the first duo to record their lines together for a Disney film, EW reports.
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“Because we only got our pages, we didn’t know what the movie was about,” Sabella told EW. “We just knew that we were two funny guys and that warthogs and meerkats are small animals. I was doing a buddy movie.”
The four-day Easter weekend is a high-point of the year, allowing us to get out in the world, catch up with friends we haven’t seen in a while or maybe even take a little trip to make the most out of all that time off.
For some of us, that is. For others, it’s the chance to catch up on some much-needed rest, spending all that extra time in the most low-key way possible.
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If you fall into the latter camp, it’s understandable that you might find yourself at a bit of a loose end when it comes to passing the time. Or, of course, it could be that you have children to keep occupied for that loooong Bank Holiday weekend.
Either way, it could come as a relief to hear that there are plenty of classic films worth tuning in for on TV between Good Friday and Easter Monday. Here are 20 of our personal highlights…
Mrs Doubtfire
What’s it all about? Robin Williams takes the lead in this much-loved family comedy about a man who goes incognito as an elderly woman a thousand miles away from his real self in a bid to spend more time with his kids.
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Perfect for: Getting everyone together to kick the long weekend off with plenty of big laughs.
When’s it on? Good Friday at 11am on Film4
Kung Fu Panda
What’s it all about? From the team behind Shrek and Madagascar, this star-studded animated comedy introduces us to a hapless, martial arts-loving panda who finds himself embarking on a kung fu quest.
Perfect for: Keeping younger viewers amused for a couple of hours. If they enjoy it, follow-up movie Kung Fu Panda 2 is on later in the weekend, too.
When’s it on? Good Friday at 12.30pm on Channel 4
Wallace & Gromit: The Curse Of The Were-Rabbit
What’s it all about? Hilarious, silly and surprisingly gripping, The Curse Of The Were-Rabbit is arguably the jewel in Wallace & Gromit’s crown.
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Perfect for: If you’re in the mood for revisiting a dependable classic that’s guaranteed to deliver on laughs and heart-warming moments.
When’s it on? Good Friday at 2.15pm on BBC One
Hop
What’s it all about? The next-in-line to take over the Easter Bunny throne decides he’s not up for taking over the family business – with very cute results.
Perfect for: Come on, it’s Easter, who doesn’t want to spend an hour or so looking at a cute rabbit going about his business?
When’s it on? Good Friday at 4.30pm on ITV2
The Beautiful Game
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What’s it all about? Bill Nighy, Micheal Ward and Callum Scott Howells star in this sports drama about a team of homeless footballers who travel to Rome for a big tournament.
Perfect for: If you’ve spent the day watching classic films and repeats, and you’re ready for something brand new.
When’s it on? Good Friday on Netflix
The Life And Death Of Lily Savage
What’s it all about? Not a traditional film, admittedly, but a must-watch all the same. This ITV documentary explores the life and career of Paul O’Grady, as told through the guise of his game-changing drag alter-ego, Lily Savage.
Perfect for: If you feel like celebrating a modern-day British icon.
When’s it on? Good Friday at 9pm on ITV1
La La Land
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What’s it all about? Emma Stone won her first Academy Award for her performance in this modern musical, which co-stars Ryan Gosling and John Legend and serves as a love letter to both Los Angeles and romance itself.
Perfect for: If you want to end the first day of the weekend with a bit of romance. And you’re fully ready to be humming Another Day Of Sun until Easter Monday.
When’s it on? Good Friday at 11pm on BBC Two
Hook
What’s it all about? A clever retelling of the Peter Pan story, Steven Spielberg’s Hook boasts a seriously impressive cast including Dustin Hoffman, Julia Roberts and the always-wonderful Robin Williams. Watch out for a seriously impressive cameo from Glenn Close, too.
Perfect for: If you’re in the mood for a fairytale with some big twists.
When’s it on? Saturday 30 March at 2.20pm on Channel 5
Ocean’s Eleven
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What’s it all about? Professional con artist Danny Ocean recruits 10 of his criminal pals to help him pull off the heist of his career, with a huge ensemble cast that includes *deep breath* George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Don Cheadle and the late Carl Reiner.
Perfect for: When you just fancy something capital-H “Hollywood”.
When’s it on? Saturday 30 March at 5.05pm on Channel 5
Kick-Ass
What’s it all about? A superhero outing that’s a far cry from the MCU films that have dominated the box office this past decade, Kick-Ass is a black comedy about an ordinary teenager who sets out to fight crime in the style of his comic heroes.
Perfect for: If you’re intrigued about Aaron Taylor-Johnson’s next career move and feel like diving into one of his stand-out roles.
When’s it on? Saturday 30 March at 10pm on Channel 4
Snatch
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What’s it all about? One of Guy Ritchie’s most popular gangster offerings, the fast-paced and star-studded Snatch centres around a criminal underworld involving bare-knuckle boxing and high-stakes gambling.
Perfect for: Anyone who binged The Gentlemen on Netflix.
When’s it on? Saturday 30 March at 10.50pm on Channel 4
Ben-Hur
When’s it all about? There are biblical epics, and then there’s Ben-Hur, a three-and-a-half hour retelling of the New Testament story through the guise of a fictional prince who watches the whole thing unfold from afar. While the subject matter and runtime might be off-putting to some, it’s worth pointing out that Ben-Hur is frequently held up as one of the best films of all time, winning a record-setting 11 Oscars upon its release.
Perfect for: If ever you were to finally give Ben-Hur a go, it might as well be Easter weekend, right?
When’s it on? Easter Sunday at 12.05pm on Channel 5
Willy Wonka And The Chocolate Factory
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What’s it all about? This Roald Dahl adaptation is still the definitive adaptation of Charlie And The Chocolate Factory (soz Timothée), telling the story of an impoverished young boy whose life changes when he wins a golden ticket to visit Willy Wonka’s weird and wonderful world, alongside a host of far less well-behaved children…
Perfect for: Easter Sunday!
When’s it on? Easter Sunday at 12.25pm on ITV1
Easter Parade
What’s it all about? Even if you’ve never heard of Easter Parade, the true star power of its leads (Fred Astaire came out of retirement to star in it alongside the legendary Judy Garland) should be enough to pique the interest of any fan of Hollywood’s golden years.
Perfect for: If Judy Garland in a big hat is your idea of a good time (isn’t it everyone’s?).
When’s it on? Easter Sunday at 12.30pm on BBC Two
Beauty And The Beast
What’s it all about? Arguably the best thing ever released by the Walt Disney company, Beauty And The Beast became the first animated movie to be nominated for Best Picture at the Oscars, after impressing critics with its instantly-catchy songs, beautiful visuals and heartwarming characters.
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Perfect for: Literally any time, any place. What a film.
When’s it on? Easter Sunday at 2.40pm on BBC One
The Wizard Of Oz
What’s it all about? Dorothy Gale goes on the journey of a lifetime when her home is caught up in a twister, transporting her to the land of Oz where she encounters a host of magical and life-changing characters.
Perfect for: Sorry to repeat ourselves, but again, any time, any place. What. A. Film.
When’s it on? Easter Sunday at 4.20pm on Channel 5
Babe
What’s it all about? After being taken in as a piglet by a kind farmer, Babe defies expectations when he decides he wants to join a herd of sheepdog.
Perfect for: If you want something warm and fuzzy (that, sorry to say, will probably still have you shedding a few tears).
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When’s it on? Easter Monday at 2.40pm on Film4
Bee Movie
What’s it all about? A bee tries to sue the human race after finding out that humans have been taking all of his colony’s honey.
Perfect for: If you’re curious to see exactly where all of those Bee Movie memes originated from.
When’s it on? Easter Monday at 2.55pm on ITV2
Jumanji
What’s it all about? The original (and best) Jumani is a true family adventure, that centres around a brother-and-sister who get swept up in an epic jungle board game that changes their lives forever.
Perfect for: If Mrs Doubtfire and Hook have got you in the mood for more 90s family classics starring Robin Williams.
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When’s it on? Easter Monday at 4.50pm on ITV2
Easy A
What’s it all about? Following in the footsteps of favourites like Heathers, Clueless and Mean Girls, Easy A is a quirky and quotable teen comedy that introduces us to Emma Stone’s Olive, a high schooler who leans into her new reptuation when a false rumour about her is spread around her peers.
Perfect for: When you’re back at work in the morning and you need something to take your mind off it for those precious last hours of the Bank Holiday.
22 years since its first release, Lilo & Stitch is still a beloved family film and now it’s hard to walk through a Primark without seeing hundreds of items of Stitch-based merchandise.
But who can blame us? The tale of found family, friendship and coming-of-age resonates with all different kinds of people.
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However, it turns out that the Disney film included a scene that, while very much in the spirit of the film’s mischievous nature, could have been extremely distressing if it had been included in the final cut.
The scene they had to cut from Lilo & Stitch
So, spoilers ahead, but the film culminates with an air chase between two alien spaceships while Stitch and the gang try to save Lilo, if you remember. It’s chaotic and silly, just like the rest of the film.
However, there was one part of the chase which involved one of the aircrafts being a 747 commercial aircraft that crashed into multiple buildings throughout the scene, according to Vox.
Following the attacks on the Twin Towers in New York, animators and scriptwriters changed the scene entirely, due to how distressing it may have been for viewers.
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Children’s shows like Power Rangers, Pokemon, and Invader Zim had episodes taken off the air due to scenes where buildings and cityscapes were destroyed.\n\nThe nation had changed, and the national conversation facilitated by popular culture had changed alongside it. To trace these developments in greater detail, read this write-up from Lindsay Ellis: https://www.vox.com/2016/9/9/12814898/pop-culture-response-to-9-11\n\nVox.com is a news website that helps you cut through the noise and understand what’s really driving the events in the headlines. Check out http://www.vox.com\n\nMake sure you never miss behind the scenes content in the Vox Video newsletter, sign up here: http://vox.com/video-newsletter\n\nSupport Vox’s reporting with a one-time or recurring contribution: http://vox.com/contribute-now\n\nShop the Vox merch store: http://vox.com/store\n\nWatch our full video catalog: http://goo.gl/IZONyE\n\nFollow Vox on Facebook: http://facebook.com/vox\nFollow Vox on Twitter: http://twitter.com/voxdotcom\nFollow Vox on TikTok: http://tiktok.com/@voxdotcom","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until clicked","value":false}},"provider_name":"YouTube","thumbnail_height":720,"thumbnail_url":"https://i.ytimg.com/vi/F2uJvwiSZAQ/maxresdefault.jpg","thumbnail_width":1280,"title":"How 9/11 changed Disney’s Lilo & 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In the original cut, Stitch was joyriding in a 747 but in the final version, it was an alien craft and instead of weaving through, or indeed, crashing into buildings, the animators instead opted for Hawaiian mountains.
“Americans became highly sensitive to anything that bore even a slight resemblance to the attacks,” journalist Lindsay Ellis wrote on Vox. “Children’s shows like ‘Power Rangers,’ ‘Pokémon’, and ‘Invader Zim’ had episodes taken off the air due to scenes where buildings and cityscapes were destroyed.”
With the perspective that we have now, the deleted scene, featured in Vox’s video, is incredibly unsettling. It’s strange to imagine a time when hijacking could ever have been a lighthearted part of a children’s film.
A follow-up to the Oscar-winning film was first announced in 2016, with Joy, Sadness, Anger, Envy and Disgust all returning for the second instalment.
However, this time around, the gang are set to be joined by a new emotion. Enter: Anxiety.
The introduction was made in a short teaser that depicts the existing emotions having their world turned around by their new arrival, who is portrayed by Stranger Things actor Maya Hawke.
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“Our little girl is growing up so fast, and things couldn’t be better,” Joy is heard teasing at the beginning of the teaser, although seemingly it’s not to last.
It’s also hinted that Anxiety is not the only new kid on the block, though, as the new newcomer teases to the other emotions that she’s not alone.
","type":"video","meta":{"author":"Pixar","author_url":"https://www.youtube.com/channel/UC_IRYSp4auq7hKLvziWVH6w","cache_age":86400,"description":"🚧Things are getting messy🚧\n\nDisney and Pixar’s #InsideOut2 is coming to theaters June 2024 with brand new emotions!\n\nThe little voices inside Riley’s head know her inside and out—but next summer, everything changes when Disney and Pixar’s “Inside Out 2” introduces a new Emotion: Anxiety. According to director Kelsey Mann, the new character promises to stir things up within headquarters. “Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat,” said Mann. “That makes a lot of sense if you think about it in terms of what goes on inside all our minds.” A trailer, poster and film stills are now available for what promises to be the feel-good (or feel-everything) film of Summer 2024.\n \nDisney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone. Maya Hawke lends her voice to Anxiety, alongside Amy Poehler as Joy, Phyllis Smith as Sadness, Lewis Black as Anger, Tony Hale as Fear, and Liza Lapira as Disgust. 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A poster for the film shared on Pixar’s social media accounts also teases as many as four new additions to the cast.
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Inside Out first hit cinemas in 2015, and won huge critical acclaim, including an Oscar win for Best Animated Feature and a Best Original Screenplay nomination.
The film centres around a teenage girl, Riley, who – along with her five core emotions – has her life turned upside down when she and her family move to a new city.
Emmy winner Amy Poehler, The Office’s Phyllis Smith and Mindy Kaling, former Saturday Night Live star Bill Hader and comedian Lewis Black voiced Joy, Sadness, Disgust, Fear and Anger, respectively, with Kaitlyn Dias, Diane Lane, Kyle MacLachlan and Richard King also among the voice cast.
Tony Hale will take over the role of Fear, while Liza Lapira replaces Mindy Kaling as Disgust.
Over the years,Miriam Margoyles has accumulated an eclectic array of acting roles, including performances in big-name franchises and even a Bafta win. However, what many people might not realise is that she is also a renowned voice actor.
The Call the Midwife star has lent her voice to adverts for brands such as Cadbury, PG Tips and Dolmio in her day, as well as contributing to audiobooks, animated features and even audio porn in the past.
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Ahead of Miriam’slong-awaited debut in Doctor Who, where she’s set to voice Meep in the 60th anniversary special episode, we’re looking back at some of the more unexpected places her voice has popped up in over the years…
Back in the mid-90s, Miriam moved into the world of movie voice acting when she played Fly, a sheepdog, in the beloved farmyard classic, Babe.
Based on Dick King-Smith’s book, The Sheep-Pig, the comedy-drama followed a young farm pig who wanted to do the work of a sheepdog.
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The wholesome film exceeded expectations and went on to be nominated for seven Academy Awards, including Best Picture and Best Visual Effects. Miriam also reprised her role in the sequel, Babe: Pig in the City.
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In this Roald Dahl adaptation, Miriam voiced the Glowworm as well as appearing on screen as James’ Aunt Sponge.
The musical film combined stop-motion animation and live-action segments and featured a star-studded cast including Richard Dreyfuss, Joanna Lumley, David Thewlis, Susan Sarandon and Jane Leeves.
Though it wasn’t a huge box office success, it was a firm favourite with fans of the original novel and with critics.
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It seems surprising that Miriam’s voice hasn’t been featured more in Disney films, with her sole credit with the studio coming in 1998, when she voiced The Matchmaker in the animated movie Mulan.
Agents of Shield star Ming-Na Wen held the titular role of the young heroine, while the cast also featured voice performances from Eddie Murphy, BD Wong and Miguel Ferrer.
The beloved classic garnered a Golden Globe award, an Oscar nomination and took home several Annie Awards. There was a much-less-revered direct-to-video sequel, Mulan II, in 2004 (in which Miriam reprised her role as the Matchmaker), before the live-action remake in 2020.
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Alongside Elijah Wood, Robin Williams, Hugh Jackman, and Nicole Kidman, Miriam played Mrs Astrakhan in the computer-animated musical, Happy Feet.
The film followed Mumble, an emperor penguin who is extremely talented at tap dance, and went onto become the sixth highest-grossing movie of 2006 and landed the Academy Award for Best Animated Feature.
However, it was apparently one of the more forgetful projects for Miriam.
Asked about her character during an interview on The Graham Norton Show years later, she responded: “I can’t remember… I don’t know, I didn’t watch it.”
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In 2006, Miriam also voiced another animated character in Flushed Away.
Though the film didn’t garner the audience or box-office success it expected, it racked up a host of nominations during awards season and boasted a star-studded cast, featuring Kate Winslet, Ian McKellen, Andy Serkis, and Bill Nighy.
Advertisement
Again, when asked on Graham Norton’s chat show about the movie, she struggled to remember who she played in the film: “I did Flushed Away… I don’t know what I was either… a piece of shit, I should think.”
Early Man (2018)
Over a decade later, Miriam worked with the Aardman Animation team again, but this time on a classic stop-motion, akin to Chicken Run and Wallace and Gromit.
The actor voiced Queen Oofeefa, the queen of the Bronze Age City in Early Man, who sent out Lord Nooth (Tom Hiddleston) to decimate the Stone Age cavemen.
As with most of Aardman’s projects, it boasted an impressive cast list featuring Eddie Redmayne, Maisie Williams, Timothy Spall, Rob Brydon and Richard Ayoade. Sadly, it was the least commercially successful instalment for the studio, but still an enjoyable family film.
Alongside her film and TV work, Miriam lent her voice to the animated brown rabbit in the famous Cadbury Caramel Bunny advert in the 1980s.
The iconic ad character appeared in a long series of ads back in the day, usually encouraging various woodland pals to “take it easy” in her dulcet tones, while enjoying a slab of chocolate .
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After her success with Cadbury, Miriam became a firm favourite for voice roles in TV adverts.
It will probably have gone over most viewers’ heads that she plays the role of “Mama” Dolmio’s ads, where the Italian family tucks into a hearty meal of Bolognese, made, of course, with Dolmio sauce. It’s a small, but memorable entry to an already-impressive CV.
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That’s right, Miriam put her well-known voice to good use, as she read the voiceover for an Anusol advert, aka the UK’s number one piles treatment.
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It’s a humorous, but informative advert that makes the most of Miriam’s cheeky (ahem) tone of voice to promote the cream that fights “pains in the posterior.”
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In her early years, Miriam took on an alter ego “Sexy Sonia” as she lent her voice to read audio pornography.
She explained to The Mirror: “I recorded a soft-porn audio called Sexy Sonia: Leaves From My Schoolgirl Notebook… it was one of my first ever shows.
“It was for sale in sex shops and one day I went into Ann Summers and told the man behind the counter I was Sexy Sonia.
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“He was very distressed and told me to keep my voice down because he didn’t want people to know she was this short, fat, and rather unattractive person.”
On This Morning, Miriam elaborated that the recording “was just a nasty episode which people could take home and pleasure themselves with”.
However, she stopped recording the series after one episode as she found it “exhausting”.
She continued: “You have to keep breathing heavily to simulate orgasm – as many women have to anyway. I found it very exhausting. I came home with a headache. I don’t know what the engineer thought! I put my whole soul into it.”
The rum and presumably Jack Sparrow will be gone when the next Pirates of the Caribbean film sets sail for cinema screens.
Producer Jerry Bruckheimer, who’s steered the franchise into a multibillion-dollar earner for Disney with Johnny Depp at the centre, recently addressed the controversial actor’s future amid his ongoing $50 million defamation trial against ex-wife Amber Heard.
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When asked whether Depp might ever return to his role as the legendary swashbuckler in a recent interview with The Sunday Times, Bruckheimer said, Not at this point. The future is yet to be decided.
Instead, Bruckheimer and company are in talks with Margot Robbie to star in a separate project based in the same universe with the producer teasing, “We are developing two Pirates scripts — one with her, one without.”
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Depp — who starred as Sparrow in five Pirates of the Caribbean films, with the most recent instalment, Dead Men Tell No Tales, arriving in 2017 — has said that Heard’s allegations of abuse against him ruined his career.
The Aquaman star has accused the actor of physically and sexually assaulting her on multiple occasions during their brief marriage, which she alluded to in a 2018 Washington Post op-ed that’s now at the centre of the former couple’s trial. Depp, meanwhile, has also claimed he was the victim of spousal abuse. Both have denied each other’s claims.
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In court earlier this month, Depp testified that days after Heard published the piece Disney effectively “cut ties” with him, per Variety. His agent also claimed in court that the actor lost out on a $22.5 million payday for a potential sixth instalment of the Pirates franchise.
But Depp has previously stated that he would never play Sparrow again.
In an exchange with the actor, Heard’s attorney asked whether it was true that “nothing on this earth would get you to go back and work” with Disney on a new film in the franchise, according to Variety.
“That is true,” Depp replied, seemingly putting the nail in the coffin for his future with the franchise.
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As for Robbie’s Pirates film, the female-fronted project is reportedly a “wholly original story with new characters,” according to The Hollywood Reporter. Bruckheimer is once again set to produce the film with a script from Birds Of Prey scribe Christina Hodson.
Disney’s latest film Encanto has officially made chart history, after a song from its soundtrack reached number one in the UK.
Encanto arrived in cinemas towards the end of the last year, and was made available to stream on Disney+ over the Christmas period.
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In the weeks since, songs from the film’s soundtrack – written by Hamilton and In The Heights creator Lin-Manuel Miranda – have been slowly climbing up the chart, with We Don’t Talk About Bruno finally hitting number one this week.
The Official Charts Company confirmed on Friday evening that the group song We Don’t Talk About Bruno – performed by Rhenzy Feliz, Adassa, Stephanie Beatriz, Mauro Castillo, Diane Guerrero, and Carolina Gaitan – is the first ever original Disney song to top the UK singles chart.
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Two additional songs from the soundtrack are also in the top 20 this week, with opening number The Family Madrigal at number 15 and Surface Pressure hitting a new peak at number five.
Encanto is the 60th film released by Walt Disney Animation Studios, which has had chart success in the last decade with songs from Frozen and its sequel.
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Let It Go was the highest-performing song from the franchise, peaking at number 11 in the UK, with For The First Time In Forever, Do You Want To Build A Snowman? and Into The Known also peaking within the top 40.
While it may feel a little too early to mention the ‘C’ word yet (sorry Mariah Carey), retailers are already trying to get us in the festive spirit in a bid for us to spend our Christmas cash.
Disney has become one of the first major brands to release their Yuletide ad, and we’ll admit, it could warm even the Grinch’s cold heart.
Entitled The Stepdad, it tells the story of a man called Mike moving in with his new partner Nicole’s family and his struggle to bond with her two young children, Max and Ella.
The ad focuses on a precious storybook filled with Disney and Pixar characters, which was given to Max by his father.
As Mike becomes accepted by the children, he is eventually able to make the stories on the book come to life.
DisneyThe 2021 Disney Christmas advert has been released
The ad makes reference to a number of films under the Disney umbrella, including Moana, Toy Story, Spider-Man, Black Panther Star Wars and Frozen.
And eagle-eyed viewers may have also spotted that the new clip serves as a continuation of the 2020 advert, with the mother Nicole being the same young girl who was given the stuffed Mickey Mouse in last year’s promotional film.
DisneyThe Step Dad tells the tale of Mike’s journey to bond with his new family
The 2021 ad has been soundtracked by Gregory Porter with his original charity track Love Runs Deeper.
The animation short also supports children’s charity Make-A-Wish, as part of Disney’s festive retail campaign, From Our Family To Yours.
Love Runs Deeper will be available for download from Wednesday, with 100% of the proceeds between now and the end of the year going to Make-A-Wish.