22 years since its first release, Lilo & Stitch is still a beloved family film and now it’s hard to walk through a Primark without seeing hundreds of items of Stitch-based merchandise.
But who can blame us? The tale of found family, friendship and coming-of-age resonates with all different kinds of people.
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However, it turns out that the Disney film included a scene that, while very much in the spirit of the film’s mischievous nature, could have been extremely distressing if it had been included in the final cut.
The scene they had to cut from Lilo & Stitch
So, spoilers ahead, but the film culminates with an air chase between two alien spaceships while Stitch and the gang try to save Lilo, if you remember. It’s chaotic and silly, just like the rest of the film.
However, there was one part of the chase which involved one of the aircrafts being a 747 commercial aircraft that crashed into multiple buildings throughout the scene, according to Vox.
Following the attacks on the Twin Towers in New York, animators and scriptwriters changed the scene entirely, due to how distressing it may have been for viewers.
","type":"video","meta":{"author":"Vox","author_url":"https://www.youtube.com/channel/UCLXo7UDZvByw2ixzpQCufnA","cache_age":86400,"description":"9/11 was a turning point in every facet of American society — including cinema.\n\nSubscribe to our channel! http://goo.gl/0bsAjO\n\nIn September of 2001, Disney was approaching final cut on Lilo & Stitch — a children’s film set for release in early 2002. The climax of the film initially featured Stitch piloting a 747 through a fictional Hawaiian city. But that urban backdrop was replaced with a mountainous backdrop, and the aircraft was re-worked to look like an alien spacecraft.\n\nThe changes were informed by the shift in the mood in America following the terrorist attacks on 9/11. Disney wasn’t alone in their obligation to rework content to a more appropriate tone for a nation still reeling from the attacks. Children’s shows like Power Rangers, Pokemon, and Invader Zim had episodes taken off the air due to scenes where buildings and cityscapes were destroyed.\n\nThe nation had changed, and the national conversation facilitated by popular culture had changed alongside it. To trace these developments in greater detail, read this write-up from Lindsay Ellis: https://www.vox.com/2016/9/9/12814898/pop-culture-response-to-9-11\n\nVox.com is a news website that helps you cut through the noise and understand what’s really driving the events in the headlines. Check out http://www.vox.com\n\nMake sure you never miss behind the scenes content in the Vox Video newsletter, sign up here: http://vox.com/video-newsletter\n\nSupport Vox’s reporting with a one-time or recurring contribution: http://vox.com/contribute-now\n\nShop the Vox merch store: http://vox.com/store\n\nWatch our full video catalog: http://goo.gl/IZONyE\n\nFollow Vox on Facebook: http://facebook.com/vox\nFollow Vox on Twitter: http://twitter.com/voxdotcom\nFollow Vox on TikTok: http://tiktok.com/@voxdotcom","options":{"_cc_load_policy":{"label":"Closed captions","value":false},"_end":{"label":"End on","placeholder":"ex.: 11, 1m10s","value":""},"_start":{"label":"Start from","placeholder":"ex.: 11, 1m10s","value":""},"click_to_play":{"label":"Hold load & play until clicked","value":false}},"provider_name":"YouTube","thumbnail_height":720,"thumbnail_url":"https://i.ytimg.com/vi/F2uJvwiSZAQ/maxresdefault.jpg","thumbnail_width":1280,"title":"How 9/11 changed Disney’s Lilo & 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In the original cut, Stitch was joyriding in a 747 but in the final version, it was an alien craft and instead of weaving through, or indeed, crashing into buildings, the animators instead opted for Hawaiian mountains.
“Americans became highly sensitive to anything that bore even a slight resemblance to the attacks,” journalist Lindsay Ellis wrote on Vox. “Children’s shows like ‘Power Rangers,’ ‘Pokémon’, and ‘Invader Zim’ had episodes taken off the air due to scenes where buildings and cityscapes were destroyed.”
With the perspective that we have now, the deleted scene, featured in Vox’s video, is incredibly unsettling. It’s strange to imagine a time when hijacking could ever have been a lighthearted part of a children’s film.
While every year there are moans and groans about the Christmas TV schedules being packed with repeats, there’s one show that we definitely don’t mind watching again and again – the original Gavin & Stacey special.
The BBC sitcom had been running for two seasons by the time we got the first festive episode in 2008, and what a Christmas special it was.
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While we’d seen plenty of interactions between the entire Shipman and West clan in the years previous, there was a real moment of joy seeing them all prepare for their first Christmas together following Gavin and Stacey’s wedding.
Not only did the hour-long episode deliver on comedy and plot, but it also highlighted all those little Christmas foibles that go on in households up and down the country come 25 December.
And while it was a burst of nostalgia having the gang back together in 2019 for the much-anticipated reunion episode, there’s something magical about the original that made it such a festive masterpiece.
Here’s why it’s a show that’s worthy of repeat viewing every December…
1. Pam’s take on Christmas cards
Pam had strong views on when to send Christmas cards
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Before 2008, we were always baffled as to why some people would send their Christmas cards before December had even rolled around, but Pam Shipman imparted some serious wisdom on us that made us completely reverse our stance.
“What is the point of sending cards that arrive on Christmas Eve? They’ll get taken down in a few days. That’s why I send all mine on the first of November. Gives people seven weeks to enjoy them,” she said.
You have to admit, she has a point, right?
2. John who?
Step-brother John!
Speaking of Christmas cards, Pam and Mick also tapped into something we’ve all heard our parents say when they receive a festive greeting from someone they cannot quite place.
“Oh, look at that, ‘From John’… It could be mechanic John… It won’t be John from Ann and John.”
3. Doris being ‘absolutely twatted’ before lunchtime on Christmas Eve
Oh how we miss Doris
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A relatable queen.
4. Nessa in the grotto
“Oh! Oh! Oh! Merry Christmas” was an inspired piece of writing from Ruth Jones and James Corden.
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It’s the scene that inspired James Corden’s Carpool Karaoke, and despite the fact he’s had the likes of Adele, Britney Spears and Lady Gaga join him in his car to sing along to their biggest hits, it’s still Smithy’s duet down the phone on Do They Know It’s Christmas? that remains the original and the best.
We’ve also never been able to say Midge Ure’s name the same way since.
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The scene where Gwen and Bryn share their first ever mint Baileys before boarding the coach to Essex wasn’t big or flashy, but it had a quiet comfort and poignancy about it, which Gavin & Stacey always nails so perfectly.
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7. Mick’s turkey saga
The turkey scene in Gavin and Stacey
Are you basting it? Are you soaking it overnight? Are you doing it the Nigella way? Or are you sticking to Jamie Oliver, because you “know where you are with him”?
Through the characters of Mick and Pete, the Christmas special managed to perfectly encapsulate the bizarre obsession and competitiveness dads have with other men about their turkeys each year.
8. The fight
Pam wasn’t exactly thrilled with Gavin’s news
Pam’s eruption after finding out her “little prince” was planning on relocating to Barry set off a chain of events that made this scene one of the most memorable in Gavin & Stacey history.
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Not only did Alison Steadman absolutely commit to the moment, but we also saw Gwen finally stand up to Pam, Nessa threaten to “see her outside” (and Pam stupidly believe she could take her on), before Pete went toe-to-toe with Dave Coaches to defend Dawn’s honour.
Admittedly, there’s some language that we’d hope wouldn’t make it into the script in 2021, and we were very pleased when they all put the row behind them. But it has to be said, this scene shook up the dynamic between all the characters and also sent up those fights that happen in every family each festive season.
9. Pam and Mick’s royal romp
Mick in his comedy Prince Charles ears
We learned that Pam’s obsession with the Duchess of Cornwall translated into the bedroom as she prepared to be “knighted” with Mick’s “special sword” while he was wearing a comedy pair of Prince Charles ears.
10. Pam’s vegetarianism comes unstuck
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As “Three Steaks Pam” faced the prospect of a turkey-less Christmas after her long-standing lies about being a vegetarian, it transpired she hadn’t fooled anyone with her stance on meat – except for Gwen that is, who had bought her a vegetarian cookbook for Christmas.
11. The opening of the ‘presents’
Nessa and Dave gifted everyone a single chocolate from a box of Celebrations
Never before had we been so eager to see which Celebration someone was eating, and we definitely still relate to Smithy wrapping all his presents in tin foil for ease.
Doris gifting Gwen talcum powder, despite her still having a stack of it unused at home from previous years, was also a foible we’ve seen play out during present openings over the years.
12. The Nessa and Smithy sexual tension
Smithy didn’t want Nessa to marry Dave
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Years before we got the 2019 Christmas proposal, there was a special moment between Nessa and Smithy that gave fans hope that the characters would finally end up together as Smithy urged her not to marry Dave Coaches.
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Family sitcom Malcolm In The Middle was a firm favourite in many households during its six year run until the show ended in 2006.
The show starred Frankie Muniz as Malcolm alongside Bryan Cranston, Jane Kaczmarek as his parents and Christopher Kennedy Masterson, Justin Berfield and Erik Per Sullivan starring as his brothers Francis, Reese and Dewey.
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The show won an array of awards both in America and here in the UK and has continued to be popular on streaming services. For a while now, a lot of fans have been asking if one day there could be a reunion of the cast.
After all, where did they end up? Is Dewey still as cute as an adult? Does Malcolm himself lighten up a little once teenage hormones wear off? Are Hal and Lois still together?
Now, Frankie Muniz has revealed in an interview with Mayim Bialik on her podcast Bialik Breakdown that we could be seeing the family together again, just on one small condition.
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Frankie revealed that although he didn’t watch the show when it was airing, when it arrived on streaming, he watched the entirety of it for the first time ever and had a couple of surprising revelations.
He said: “My perspective of the show completely changed from what I thought the show was to what it actually was when I watched it. What I thought the show we were making was compared to what it was.”
“Even characters, when we were filming the show, I was like, “I don’t really like that character.” They became my favourite characters as a viewer,” he added.
I bet he’s talking about Reese.
He then posted a tweet saying he would love to know where Malcolm and his family are now and said that the response seemed to be unanimous, “yeah, that’d be great.”
It wasn’t just fans that were excited, though. Frankie revealed that all of the cast started emailing each other saying “we’ve got to do this, we’ve got to do it.”
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There is just one issue. The creator of the show, Linwood Boomer, who based the story of Malcolm in the Middle on his own life story, needs to give a reboot the go-ahead and for now, it’s not quite the time.
Frankie explained: “The only – I don’t want to call it a hiccup, because it’s not a hiccup. The creator of the show Linwood Boomer, when we contacted him, he was like, “I think it would be amazing.” He’s like, “But I don’t want to do it.” He’s like, ‘Because I just don’t have time, because I’m focused on my charity and I’m focused on this.’”
However, all is not lost for us fans. Linwood has said that if two, unnamed by Frankie, writers get involved and come up with something good, he’ll give his “blessing”.
It seems that wheels are turning as Frankie said: “So really for the last couple of years, Bryan Cranston and these two writers… Bryan’s been heading, kind of pushing it, because he really loves the idea of putting together a script and figuring out what it could be. And we’ll see what happens.”
Let’s hope we’ll see our favourite family back together soon.
It’s the dream, isn’t it? Unearth something old from the attic, blow the dust off, hand it to a valuer, and realise you’ve been hoarding a secret fortune this entire time.
Well, that’s more or less what happened to Antiques Roadshow guest Lucy.
In a Childhood Special episode of the show, hosted at Belmont House, the woman made an appearance with original sketches of the Teletubbies. They’d been drawn by Jonathan Hills, her late husband ― he was a designer and illustrator who died in 2020, aged 66.
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The drawings were completed before the TV show’s initial airing in 1997, meaning they represented a vision of the kid’s telly legends most of us had never seen before.
Antique expert Mark Hill evaluated the collection, saying “We’re looking here at a selection of drawings of what look like the Teletubbies, but there’s a sort of slight difference in some of them. They’re original drawings – how on Earth did you come to get these?”.
“My husband was asked to develop some characters for a programme they were making, which was directed at children that were at home watching TV without an adult,” Lucy answered.
“Jonathan sadly died two years ago. And this is his legacy,” she added.
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The initial sketches look very different to the Teletubbies we all know
The early drawings revealed creatures that more closely resembled bears and mice.
In fact, the show was almost called something completely different ― Lucy shared that the TV touchstone almost went by Teleteddies (that’d explain the bear-like design, right?).
Mark Hill commented on the “creepy” appearance of a sketch of the iconic baby’s face in the sun, but Lucy said children liked it because they could see themselves in it.
How much is it worth, then?
“At some point, you want what made you feel warm and happy and cosy as a child. And I think when that age group matures, I think they’re going to want to buy things like this,” Mark Hill began his evaluation.
“They’re going to want to own these and display them. When it comes to value, we have to ask what they might pay. What would you pay for a Teletubbies original drawing? £500? I think so. £1,000? Highly possible,” he revealed.
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Lucy’s collection contains 80 original drawings, meaning she could bank £80,000 from the entire set.
″[Jonathan Hills, her ex-husband] would be so thrilled,” she said. “It’s great.”
Portman starred as Padmé Amidala, a role she would reprise in the sequels Attack of the Clones and Revenge of the Sith, back when she was just 18 years of age.
Whilst discussing her experience on set and her willingness to reprise the role in future Star Wars properties, Cohen asked Portman what she thought of getting to meet The Royal Family at The Phantom Menace premiere back in ’99.
“I remember Prince Charles, he was then Prince Charles, asked me if I was in the originals. I was like, ‘No, I’m 18!’ But he was very friendly.”
The original Stars Wars saga began in 1977 with Star Wars, and kickstarted the careers of leads Mark Hamill, Harrison Ford and Carrie Fisher. Portman, meanwhile, was born only two years old when the final film – Return of the Jedi – was released in 1983.
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Then Prince of Wales meets Natalie Portman at The Phantom Menace Royal Film Performance at the Odeon Leicester Square
John Stillwell/PA Images via Getty Images
The actress, who had already starred in blockbuster Léon: The Professional by the time she appeared in her first Star Wars film, also revealed it was her first time working digitally with a green screen, which was “amazing”.
“I don’t think anyone was shooting that way then. It was my first time working with a green screen. It was a whole new set of skills to pick up and a whole new world to enter.”
The Phantom Menace was only Portman’s sixth feature film. She has since gone on to star in the likes of Closer, V for Vendetta, Thor, Jackie and Black Swan, for which she won a Best Actress at the 83rd Academy Awards.
Portman admitted to Cohen that even though no one has asked her to reprise her Star Wars character, she would be open to doing so.
“I’ve been in Star Wars movies”, she told Waititi, who was forced to admit that he had forgotten she’d starred quite significantly in the prequel trilogy.
What do the Julia Roberts 2010 flick “Eat, Pray, Love” and the cult classic Coyote Ugly, released a decade before it, have in common? It’s not the vibes, it’s definitely not the soundtracks, it’s actually author Elizabeth Gilbert.
Elizabeth Gilbert, author of bestselling books such as Eat Pray Love and Big Magic is actually at least partly responsible for the big magic of Coyote Ugly.
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That’s right, while the two might seem worlds apart, Elizabeth Gilbert was actually a bartender at the original Coyote Ugly bar in the East Village, NYC.
While in a Facebook post the writer said that she was “dancing on the bar and everything” at the time, she tended to opt for sensible shoes and long tops which isn’t quite the vibe we know and love.
How did Elizabeth Gilbert inspire the Coyote Ugly movie?
This has come to light following a TikTok creator called Alwyn Hamilton highlighting that the two films are related and, in fact, the protagonist in each movie is actually the same person, though they might seem lightyears apart in attitude and demeanour.
So, the bar-dancing, hip-swinging woman we saw in Coyote Ugly goes on to become the soul-searching, earth-wandering woman in Eat, Pray, Love.
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The two stories were based on Elizabeth’s experiences. The Coyote Ugly days of her life were detailed in an essay written for GQ in 1997 called, ‘The Muse of the Coyote Ugly saloon’ and of course, Eat, Pray, Love is a memoir of Elizabeth’s breakdown and recovery and was published in 2006.
It might not be the most obvious double-bill but the two films give an insightful glimpse into the writer’s incredible life over two decades.
Cast your minds all the way back to 2007 – we were all wearing the tightest skinny jeans we could find, drinking cider in the park and permanently had Ruby by the Kaiser Chiefs blasting out of our Sony Ericcson Walkman phones.
However, if you thought lead singer Ricky Wilson was singing about a long lost love, think again.
Former drummer and songwriter for the Leeds group, Nick Hodgson, has shared the true inspiration behind the chart-topper – and it’s safe to say you won’t have predicted this one.
As well as being the group’s first number one single in the UK, Ruby was also about… a dog.
“At the time we didn’t say who Ruby was,” he explained. “But I can tell you now that Ruby was a dog.”
“I played the verse, and I kept playing it round and round, and Ruby walked in and to the room and I just started singing Ruby, Ruby, Ruby, Ruby.”
This isn’t actually the first time Hodgson has revealed the truth behind the song’s inspiration. Taking to TikTok, the former Kaiser Chief’s drummer explained: “Ruby was our family dog. When I was writing it Ruby (the dog) walked in. I’m very glad she did.”
Now, where did I put those skin-tight drainpipe trousers…
It’s the moment Mean Girls fans have been waiting almost four years for: the first trailer for the musical remake of the classic teen comedy is finally here.
And while plenty of fans might have their doubts about putting a new spin on such a hallowed text, we have to be honest… the whole thing looks totally grool.
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Inspired by Tina Fey’s Broadway musical of the same name (which, by the way, is coming to London’s West End in 2024), the film will reintroduce us to the Plastics in the modern era.
Released on Wednesday (were you wearing pink?), the two-minute clip features nods to plenty of moments from the 2004 classic, from Cady eating her lunch alone in the bathroom to her scary Halloween reveal, as well as that legendary Christmas pageant performance.
However, the teaser assures us this is “not your mother’s Mean Girls”. For one thing, social media clearly plays a huge part in this new interpretation of the classic, with both students and faculty passing comment on all the hot gossip on a TikTok-esque app.
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As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis (Auli’i Cravalho) and Damian (Jaquel Spivey), she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school.\n\nConnect with #MeanGirls online:\nOfficial Site: https://meangirls.com\nTikTok: https://www.tiktok.com/@meangirls\nInstagram: https://www.instagram.com/meangirls/\nTwitter: https://twitter.com/MeanGirls\nFacebook: https://www.facebook.com/meangirls/\n\nSign up for EXCLUSIVE content & updates: https://www.meangirls.com/signup/\n\nParamount Pictures Corporation (PPC), a major global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIAB, VIA), home to premier global media brands that create compelling television programs, motion pictures, short-form content, apps, games, consumer products, social media experiences, and other entertainment content for audiences in more than 180 countries.\n \nConnect with Paramount 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Interestingly, no songs from the new film are actually included in the teaser, which is instead accompanied by the sounds of Olivia Rodrigo’s oh-so-Mean-Girls hit Get Him Back.
Spider-Man star Angourie Rice takes the lead as Cady Heron in this new take, while Renée Rapp is set to reprise her role as Regina George, a character she previously played on Broadway.
Bebe Wood and Avantika Vandanapu complete the Plastics, while Auliʻi Cravalho (otherwise known as Disney’s Moana!) portrays Janis opposite Jaquel Spivey’s Damian.
Over the years,Miriam Margoyles has accumulated an eclectic array of acting roles, including performances in big-name franchises and even a Bafta win. However, what many people might not realise is that she is also a renowned voice actor.
The Call the Midwife star has lent her voice to adverts for brands such as Cadbury, PG Tips and Dolmio in her day, as well as contributing to audiobooks, animated features and even audio porn in the past.
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Ahead of Miriam’slong-awaited debut in Doctor Who, where she’s set to voice Meep in the 60th anniversary special episode, we’re looking back at some of the more unexpected places her voice has popped up in over the years…
Back in the mid-90s, Miriam moved into the world of movie voice acting when she played Fly, a sheepdog, in the beloved farmyard classic, Babe.
Based on Dick King-Smith’s book, The Sheep-Pig, the comedy-drama followed a young farm pig who wanted to do the work of a sheepdog.
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The wholesome film exceeded expectations and went on to be nominated for seven Academy Awards, including Best Picture and Best Visual Effects. Miriam also reprised her role in the sequel, Babe: Pig in the City.
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In this Roald Dahl adaptation, Miriam voiced the Glowworm as well as appearing on screen as James’ Aunt Sponge.
The musical film combined stop-motion animation and live-action segments and featured a star-studded cast including Richard Dreyfuss, Joanna Lumley, David Thewlis, Susan Sarandon and Jane Leeves.
Though it wasn’t a huge box office success, it was a firm favourite with fans of the original novel and with critics.
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It seems surprising that Miriam’s voice hasn’t been featured more in Disney films, with her sole credit with the studio coming in 1998, when she voiced The Matchmaker in the animated movie Mulan.
Agents of Shield star Ming-Na Wen held the titular role of the young heroine, while the cast also featured voice performances from Eddie Murphy, BD Wong and Miguel Ferrer.
The beloved classic garnered a Golden Globe award, an Oscar nomination and took home several Annie Awards. There was a much-less-revered direct-to-video sequel, Mulan II, in 2004 (in which Miriam reprised her role as the Matchmaker), before the live-action remake in 2020.
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Alongside Elijah Wood, Robin Williams, Hugh Jackman, and Nicole Kidman, Miriam played Mrs Astrakhan in the computer-animated musical, Happy Feet.
The film followed Mumble, an emperor penguin who is extremely talented at tap dance, and went onto become the sixth highest-grossing movie of 2006 and landed the Academy Award for Best Animated Feature.
However, it was apparently one of the more forgetful projects for Miriam.
Asked about her character during an interview on The Graham Norton Show years later, she responded: “I can’t remember… I don’t know, I didn’t watch it.”
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In 2006, Miriam also voiced another animated character in Flushed Away.
Though the film didn’t garner the audience or box-office success it expected, it racked up a host of nominations during awards season and boasted a star-studded cast, featuring Kate Winslet, Ian McKellen, Andy Serkis, and Bill Nighy.
Advertisement
Again, when asked on Graham Norton’s chat show about the movie, she struggled to remember who she played in the film: “I did Flushed Away… I don’t know what I was either… a piece of shit, I should think.”
Early Man (2018)
Over a decade later, Miriam worked with the Aardman Animation team again, but this time on a classic stop-motion, akin to Chicken Run and Wallace and Gromit.
The actor voiced Queen Oofeefa, the queen of the Bronze Age City in Early Man, who sent out Lord Nooth (Tom Hiddleston) to decimate the Stone Age cavemen.
As with most of Aardman’s projects, it boasted an impressive cast list featuring Eddie Redmayne, Maisie Williams, Timothy Spall, Rob Brydon and Richard Ayoade. Sadly, it was the least commercially successful instalment for the studio, but still an enjoyable family film.
Alongside her film and TV work, Miriam lent her voice to the animated brown rabbit in the famous Cadbury Caramel Bunny advert in the 1980s.
The iconic ad character appeared in a long series of ads back in the day, usually encouraging various woodland pals to “take it easy” in her dulcet tones, while enjoying a slab of chocolate .
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After her success with Cadbury, Miriam became a firm favourite for voice roles in TV adverts.
It will probably have gone over most viewers’ heads that she plays the role of “Mama” Dolmio’s ads, where the Italian family tucks into a hearty meal of Bolognese, made, of course, with Dolmio sauce. It’s a small, but memorable entry to an already-impressive CV.
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That’s right, Miriam put her well-known voice to good use, as she read the voiceover for an Anusol advert, aka the UK’s number one piles treatment.
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It’s a humorous, but informative advert that makes the most of Miriam’s cheeky (ahem) tone of voice to promote the cream that fights “pains in the posterior.”
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In her early years, Miriam took on an alter ego “Sexy Sonia” as she lent her voice to read audio pornography.
She explained to The Mirror: “I recorded a soft-porn audio called Sexy Sonia: Leaves From My Schoolgirl Notebook… it was one of my first ever shows.
“It was for sale in sex shops and one day I went into Ann Summers and told the man behind the counter I was Sexy Sonia.
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“He was very distressed and told me to keep my voice down because he didn’t want people to know she was this short, fat, and rather unattractive person.”
On This Morning, Miriam elaborated that the recording “was just a nasty episode which people could take home and pleasure themselves with”.
However, she stopped recording the series after one episode as she found it “exhausting”.
She continued: “You have to keep breathing heavily to simulate orgasm – as many women have to anyway. I found it very exhausting. I came home with a headache. I don’t know what the engineer thought! I put my whole soul into it.”
“Y’ello? You’ll have to speak up, I’m wearing a towel” is what Homer says to the person calling him as he stands in his workplace in the episode “Bart Gets Famous” from season five of The Simpsons.
Until now, I thought this was just a silly gag, just another Homer-ism for the books but no, this joke is actually a callback to classic radio, thanks to the influence of legendary comedy writer John Swartzwelder.
Swartzwelder wrote 59 episodes of The Simpsons — more than any other writer in the show’s history —and it’s thought a huge part of his influence was old radio lines.
Benedict Townsend, a comedian and host of Scroll Deep, formerly known as Youtube News, discusses Swartzwelder’s radio influence on a recent video saying, “he was much older than a lot of The Simpsons writers, most of them were Harvard graduates who were like 23, like Conan O’Brien.”
He adds that Swartzwelder was in his 40s when he joined as a writer and his love of old-time radio comedy was what brought his wildly popular episodes to life.
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The radio influence in classics Simpsons gags
Swartzwelder’s interest in vintage comedy brought us the iconic Homer vs. the First Amendment (one of Swartzwelder’s favourite episodes ever) episode which has a retro-vibe from the get-go as an old Prohibition law is enforced and Homer reinvents himself as the Beer Baron.
Even within that, though, the beloved character ‘Moleman’ says, “that’s not a knife, this is a knife” and proceeds to pull out a sword.
As he pulls it out, he starts to fall and says in his beloved warbly voice “oh, down I go”. Which is another callback to radio plays because of course, you don’t need to be told he’s falling down when you can see it.
As for the towel joke? It’s because when people with long hair would call into radio shows, they may have been in the middle of drying their hair and had a towel wrapped around it so they’d ask the hosts to speak up to ensure that they were heard through the towel.
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The gag of course is that Homer is wearing a towel but not in a way that would affect his hearing.
Swartzwelder also takes credit for popularising the word “Meh”
“Meh” is a word with Yiddish origins but it was brought to screens around the world in 1994 by Swartzwelder. First used in the 1994 episode “Sideshow Bob Roberts” when a librarian reacts to Lisa’s surprise that voting records are not classified. It also appeared later in “Lisa’s Wedding” after Marge weaves the words “Hi Bart” on a loom to try to pique her son’s interest in weaving, to which he responds “meh”.
It’s been repeated frequently in the show since then and speaking to the New Yorker, Swartzwelder said, “I originally heard the word from Howie Krakow, my creative director at Huvis, Binzer & Churchill, in 1970 or 1971. He said it was the funniest word in the world.
“I don’t know when it was invented, or by who, but I got the impression it was already very old when Howie told it to me.”
Turns out, I’ve spent my whole life quoting John Swartzwelder.
