Gareth Thomas is undeniably one of the most prolific and celebrated LGBTQ+ figures in the world of British sport.
In addition to his impressive, record-breaking career on the rugby pitch – which included serving as captain of the Welsh national team – Gareth has also received praise for having raised awareness of issues around queer identity, mental health and destigmatising HIV.
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For his latest venture, the rugby pro has teamed up with Ford for a new video series which aims to fight discrimination in industries that are stereotypically male-dominated.
“Tough Talks is all about sitting down with people and giving them a safe place where they feel they can air the problems that are around what is a very very macho and sometimes toxic masculinity kind of environment,” he explains.
“What we’re trying to do is get the culture of this industry up to speed with 21st century thinking and 21st century living. And try to create change, because culture can break people down and stop people being authentic. And to be successful, you need a diverse work environment, you need people to be able to be authentic, you need people to be able to be the best version of themselves.”
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To mark Pride month, HuffPost UK spoke to Gareth about how Queer As Folk provided an insight into a world he’d “only ever dreamt of” before coming out, why It’s A Sin proved to be both an “addictive” and “disturbing” watch and his admiration for Blackpool’s Jake Daniels…
Who was the first queer person you can remember looking up to?
I kind of feel like I used to shelter myself away from many iconic LGBT figures when I was growing up, because I was afraid of being “guilty by association”. So I kind of hid myself away.
But someone I would say now is H Watkins from Steps, who’s a really good friend of mine. He’s probably not somebody that people would think [I would say], because he’s not someone I grew up watching. He’s even younger than me! It sounds like a really bizarre one, because I’m sure people would think, you know, Peter Tatchell or Ian McKellen or somebody like that.
But for me, he has the same lived experience as me, he’s from the same area, he’s always celebrated who he is and he’s very active in fighting for the rights of LGBT people in the community and the area that I know.
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What was the first LGBTQ+ TV show or film that you remember resonating with you?
Oh my word, well, I wasn’t out at the time, but I remember watching Queer As Folk when it first came out about 20 years ago. And it was like an insight into a world that I’d only kind of ever dreamt of exploring or being in. It was a very interesting watch for me.
It pushed the boundaries and got people’s attention and got people talking about what it’s like to live in that community. I’m not sure if it scared me, or whether it excited me about the potential of, “OK, that’s what’s on the other side of the door if I dare ever unlock it”.
What’s a song you associate with your own coming out?
The Freemasons’ remix of Here Comes The Rain Again by The Eurythmics, and I’ll always remember it because it was playing the first time I ever walked into my first gay club experience.
The reason it resonated with me was because that was the first moment where I really saw people not worrying about what other people were thinking about them. It felt like, for the first time in my life, I was standing there, looking around, and feeling really liberated. Whenever I hear that song, I have that memory of seeing people smiling, seeing people holding hands, seeing people not afraid to be themselves.
What was the most recent LGBTQ+ show or film that made an impact on you?
It has to be It’s A Sin, without a shadow of a doubt. For me, watching It’s A Sin, as much as I found it addictive and wanted to binge-watch it, I also found it quite disturbing. I live with HIV myself, and through the work I do now, I know a lot of people who are from that generation. They’ve told me stories, but to see it played out and the reality of what it was brought it to life a lot more.
I became very appreciative of the times I live in now, the fact that I can live on medication now. But also, I felt so connected to, and helpless for, the people who lost their lives in horrific, horrific ways. They spent the rest of their lives, after diagnosis, being locked in a room or being discriminated against or with people not wanting to touch them.
[Seeing] the reality of what happened, and with my connection to it, I wished I could have done something then, but also it made me more determined to realise, “at least I can do something now”. That gave me a sense of motivation, but also a sense of sadness that people had to live through that.
And I made sure that everybody that I spoke to watched it, because I wanted to make sure that we never go back to times like that. There is always a chance in society that if we relax or if we stop talking about things, it’s easy to fall back to the way things were.
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Who is your ultimate queer icon?
Growing up, I loved Dennis Rodman so much. He was a great athlete, he was a great basketball player, but he also always pushed the limits. He would wear a dress if he woke up and felt like he wanted to – it didn’t define him, he just felt like he wanted to wear one. He had tattoos and piercings and it felt, to me, he was someone who had no shame around his identity. And if his identity didn’t match what someone else thought it should be, that was somebody else’s problem to deal with, not his.
I was such a sports fan, and I think to have a sporting icon – which he was at that time – pushing the boundaries and the limits of what people assumed every sports person should be, or look like, or wear, or say, it was very iconic to me. He didn’t follow the rules, and he didn’t break the rules, he just made his own rules.
Who is a queer person in the public eye right now that makes you excited about the future?
It has to be Jake Daniels, the footballer. It kind of blew me away, reading about him coming out. It was such a brave decision – he’s 17 and he’s only just signed a professional contract. At 17 I was so immature, so to show that maturity and bravery at such a young age, makes him such a positive role model for that generation – and everyone else.
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And now, whether he’s successful or not, he’ll be able to look himself in the mirror and say, “I gave myself every opportunity”. Because if he failed, and he hadn’t spoken about his sexuality, he could have been left wondering, “would I have been successful if I had been authentic?”. The fact that he’s willing to put himself under that spotlight and that pressure, he’s willing to take the failures or successes and through all of it being himself, I think that is such a positive message for the future.
Why do you think Pride is still so important today?
There are so, so many reasons. For me, Pride was not created or born out of a need to celebrate but being gay, it was born out of a need to fight for the right to exist without persecution. And we still live in a world where there is discrimination, nobody in this world can sit down and say there is zero discrimination against the LGBT community. There are still 69 countries where it is still illegal to be gay.
There are far-reaching messages from these Pride festivals and marches, that transcends borders and transcend communities. And it gives people hope. If I go to a Pride, I don’t go there to celebrate me being gay, I go [to celebrate] my right to exist without being persecuted for it.
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What’s your message for the next generation of LGBTQ+ people?
Everyone goes through life wanting to be liked by everyone. And that’s not necessarily a bad thing. But I’d like the next generation of people to realise that it’s OK to be disliked for being authentic, but it’s not OK to be liked for being a version of you that’s a version that other people think you should be.
I feel that if people didn’t feel the need to lie about who they are, life would be a lot easier for everybody.
Watch Gareth Thomas and Ford’s Tough Talks video below:
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It’s been announced that four members of the much-loved Channel 4 drama will be coming together to compete in a one-off special of the Great British Bake Off.
It’s A Sin aired on Channel 4 at the beginning of this year and quickly won huge praise from both viewers and critics for its depiction of a group of young friends affected by the AIDS crisis in the early 1990s.
An airdate for the It’s A Sin/Bake Off crossover is yet to be confirmed, with a second Bake Off special featuring former contestants also set to air over the Christmas period.
Returning to the tent for a string of festive challenges will be Kim-Joy and Jon from season nine, and Hermine and Rowan, both of whom previously competed on last year’s series.
The current series of the Great British Bake Off is airing on Tuesdays at 8pm on Channel 4.
It’s A Sin creator Russell T Davies has said privatising Channel 4 would be a “great crime” that would result in programmes like his recent hit series not being made.
The government has said it will launch a consultation into the privatisation of the channel, which was founded in 1982.
Channel 4 is currently owned by the government and receives its funding from advertising but could be sold off to a private buyer.
Speaking at the Banff World Media Festival in Canada, Davies said we are “looking at very dark days here”.
He said the channel’s remit “which is to make shows like It’s A Sin” would change if it were to be sold.
“It exists to make this kind of drama and that’s going to fall away now,” he said.
“Come back in 10 years and you’ll see. I can’t promise we’ll be here to talk about this sort of programme on Channel 4 for much longer because the government is gutting it.”
It’s A Sin tells the story of a group of young friends living in London through the HIV/Aids crisis in the 1980s and its impact on the LGBT community.
Channel 4 previously said the series drove its streaming service to record growth.
Culture secretary Oliver Dowden said earlier this week the consultation into privatising Channel 4 is aimed at ensuring the broadcaster “keeps its place at the heart of British broadcasting”.
Davies said he is “very lucky to have a history” with Channel 4 and the broadcaster is “responsible for my entire career”, citing his 1999 drama Queer As Folk.
“If you think back to 1999, that was a revolution,” he said. “No other channel would have made that then.
“In some ways, literally the remit of Channel 4 is to look for different voices, different stories and part of the government’s thinking in selling it off is we now have more choice because we have streamers, we have Netflix, we have Amazon.
“We have more choice, but that means more choice of zombies, ghosts and detectives. They certainly don’t make this kind of stuff.”
He compared the consultation into the sale of Channel 4 with the sale of Cadbury’s.
“We all go, ‘It’s not as nice as it was’, and we don’t riot in the streets, we give up because we’re too busy staring at our screens,” Davies said.
“That’s what they’ve done, they’ve ‘Cadburyed’ it. They’re going to Cadbury the entire channel.”
Channel 4 boss Alex Mahon said earlier this week (via The Independent): “I think, in any examination of [privatisation], we’ve got to be clear that it’s about – as the Secretary of State said to the select committee – about making Channel 4 stronger.
“My question would be: what’s the analysis to show what makes us stronger?
She continued: “We’ve always got to be careful of doing anything that might be irreversible, that could possibly damage some of those things that we do for the sector, and that we do for the UK.
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