The Runway to a 30-Day Challenge

I often do diet experiments in the form of 30-day trials (or longer). I define a crisp plan to follow, and then I strictly adhere to those boundaries for the time of the experiment.

Usually before I begin a clearly defined challenge, I first go through a period of whittling away temptations. This phase typically begins a few weeks before the start of the challenge. During this time, I’ll identify the most tempting foods and gradually eat them till they’re gone. I try not to overdo it by binging on them. I just naturally let them run out at whatever rate I was eating them before. I stop replenishing those foods, so I won’t have them in the house to tempt me while I’m doing a stricter trial.

This isn’t always possible or practical, but it definitely helps in some cases.

It’s easier to do a caffeine-free challenge if there’s no hipster coffee left, and the only remaining source of caffeine in the house consists of some crusty bags of green tea leftover from hotels.

When I decided to do a grain-free, bean-free, and sugar-free month (which was August 2020), I gave myself time to finish up the tofu and didn’t buy more of it. I often air-bake tofu and add it to salads, so this gave me a little extra time to adjust back to tofu-free salads.

When doing an interesting diet experiment, there are a cascade of smaller changes stacked on top of each other. I often find it easier to begin the process of change a few weeks before my stricter challenge begins, so I can unpack and roll out some of those smaller changes at a more gradual pacing. This gives me some practice time with those little changes before the full challenge begins.

By the time Day 1 of the challenge comes up, I’ve already made some modest changes in the weeks leading up to that. I might already have been tofu-free, chocolate-free, or bread-free for a few days to a few weeks beforehand. I’m already eating some meals consistent with the challenge.

This approach helps me mentally prepare for the challenge without feeling like I’m taking a big dive off a cliff. I gradually strengthen my commitment as I approach the starting line, so by the time I get there, I already have some momentum building in the right direction. This make Day 1 and especially Week 1 easier.

Another benefit of this approach is that it trains me to notice unplanned challenge opportunities. I’m accustomed to beginning a challenge with a runway, so I occasionally find myself heading down what could be considered a runway to some kind of challenge that I haven’t identified yet. I remain on the lookout for accessible challenges that could fit my current runway, even when I’m not deliberately aiming for a specific challenge. For instance, the COVID situation became an extended runway into more personal projects, including my current 30-day novel writing challenge.

If you struggle with 30-day challenges, especially making it past the first week, consider building a longer runway. Transition into your challenge more gradually, so there isn’t such a sharp dividing line before your final pre-challenge week and your official Day 1.

Just be careful about using this as an endless delay tactic, always prepping and never actually doing. 🙂

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NaNoWriMo – Days 18-19

My novel is up to 33,835 words now. The daily writing has become pretty habitual, so it feels like smooth sailing till the end.

Mapping the Field

As I write scene after scene, I feel like I’m mapping out a field of possibilities, not just for my story but also for what I can do with fiction writing.

This includes learning how to write different kinds of scenes and aspects of scenes, such as:

  • Dialogue between two characters
  • Dialogue with more than two characters
  • Fast action scenes
  • Slow action scenes
  • Action interspersed with dialogue
  • Indoor scenes
  • Outdoor scenes
  • Practicing “show me; don’t tell me”
  • Scenes with fixed environments
  • Scenes with changing environments
  • Solo scenes with only one character
  • Humorous scenes or moments
  • Surprises and plot twists
  • Creating different speech patterns for different characters
  • Introducing a setup in one scene to deliver a payoff in a later scene
  • Integrating exposition judiciously (without making it so obvious)
  • Weaving in subtext
  • Getting the pacing right
  • Sexually suggestive scenes
  • Sexually explicit scenes
  • Manipulative or persuasive scenes
  • Scenes involving suspicion or interrogation
  • Arguments and debates
  • Emotional, tearful, or vulnerable scenes
  • Creating interesting and varied settings
  • Sciency or geeky scenes
  • Minor setbacks
  • Major setbacks
  • Weaving a change of value for at least one character into each scene
  • Mystery elements
  • Dropping clues
  • Integrating backstory
  • Writing with different POVs (first person, third person, etc)
  • Scenes that require research
  • Describing sensory details (without overdoing it)
  • Describing characters
  • Introducing characters
  • Naming characters

So yeah… there’s a lot to learn and discover.

Tasting New Skills

The first time I write each type of scene or element, it’s a new experience for me. It feels awkward and bumbling since I’m out of my depth. But I always learn something, and the next time I attempt something similar, I’m a little better at it.

If all I do is write a type of scene and read it back the next day, I’ll surely spot some mistakes that I can learn from. And of course I can supplement this with studying the craft of writing in others ways too. But it really helps to at least taste the many different skill possibilities, so I can become familiar with them. I need to build hooks in my brain to hang all of these different skills. Then I can explore different ways to combine these skills.

This reminds me of going through a similar process when I was in Toastmasters for several years. I learned to do informative speeches, persuasive speeches, humorous speeches, Power Point presentations, storytelling, improvisational speaking, speech evaluations, speech contests, etc. Then I challenged myself with speaking opportunities outside of Toastmasters, speaking in other countries, radio and podcast interviews, and so much more.

Aligning Skills with Long-Term Goals

It took years, but eventually I acquired enough speaking experience that I could feel right at home doing my own 3-day workshops in a hotel ballroom on the Las Vegas Strip. I could weave in interactive social activities and games, bring people up on the stage with me, handle Q&A, and do plenty of spontaneous humor and playful banter. Plus I learned how to find and book rooms, negotiate meeting room contracts, to work with meeting planners. Now the whole collection of skills seems relatively straightforward, but it sure didn’t look that way when I first began.

When I’m starting fresh in a new field of learning, I find it useful to court a variety of experiences, so I can mentally map out the possibility space. This gives me more options and flexibility. It helps me figure out where I need to invest to get the most long-term leverage, so I can develop the right skills for my long-term goals.

With public speaking I wanted to do my own public workshops eventually. I didn’t want to get into corporate-style speaking. Could you see me donning a suit and speaking to groups of insurance agents and healthcare workers? No, thanks! My early skill-mapping phase for speaking helped me see where I needed to invest versus which skills I could mostly ignore. This helped me to avoid over-investing in skills that were relatively useless for my goals.

Embracing the Beginner Phase

I know from experience that the initial experience of getting into a new field can seem overwhelming. There are so many sub-skills to learn and practice, and when you’re just starting out, you’ll probably suck at all of them. That’s to be expected. But you can keep chipping away at the challenge by gaining experience, and this will add up to tremendous value over time. With speaking I did this one speech at a time. With fiction writing I’m approaching this one scene at a time.

Consequently, I’m using this first draft to practice writing different kinds of scenes. These are my first forays into the vast menu of fiction writing skills, so I want to taste a fairly wide range of skills. I’m not sure which skills I’ll need for this particular story, but by testing many different skills, I’m gaining some understanding of how I might use them.

I’ve never written a car chase scene, and I don’t anticipate including one in my novel, but since words are cheap, I could just take a stab and write one, and I’ll probably learn something useful from the experience. Even if I still don’t want to include a car chase, I might include some other kind of chase. Or maybe I’ll gain extra practice that could help me write a well-paced action scene. Moreover, I’ll surely learn more about my characters by throwing them into a car chase and seeing how they behave under that kind of pressure.

So as I see it, I’m trying to lose my fiction writing virginity with each type of skill I might find useful for fiction writing. Just crossing that threshold is useful because it reduces resistance to using unfamiliar and under-developed skills. I know my first car chase scene will be awkward to write, but if I lose my car chase virginity, I’ll expand my comfort zone. Expanding my comfort zone means that I’m also expanding the edge of my comfort zone, which means that even more interesting possibilities become accessible beyond that edge.

Another advantage to this approach is that you learn which sub-skills you enjoy. I’ve already figured out that I enjoy writing dialogue, especially between two characters. I enjoy weaving sexual tension into scenes and writing sexually explicit scenes too.

I also notice that I’m avoiding writing violent scenes. There are no guns, weapons, or fights in my book so far. So I may want to try writing a violent scene at some point to see how it goes and what I learn from it. That doesn’t mean I have to include violence in the book, but it’s good to at least explore that type of writing because it will help me understand what purpose a violent scene might serve. And by writing something violent, it also gives me a different perspective on writing a nonviolent story.

As you keep exploring known skills, eventually you’ll discover your own ways of doing things. My blog is very different from anyone else’s because I’ve followed my own path of skill development. I can see myself doing something similar with fiction writing, such as by diving into territory that seems relatively under-explored.

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Meta-Lists

While you may have plenty of experience of making lists, such as for your to-dos and goals, have you ever thought of making a meta-list? A meta-list is a list of lists.

Which lists do you think it would be worthwhile to create?

Here’s an example of a meta-list:

  • Places to visit
  • Goals to achieve
  • Skills to develop
  • Experiences to share with a relationship partner
  • Programming languages to learn
  • Technologies to study
  • Potential purchases to research
  • Exercises or types of workouts to try
  • Exercise equipment to acquire for a home gym
  • Fears to face and overcome
  • Kitchen items to replace or upgrade
  • Home maintenance tasks to do
  • Home upgrades to do
  • New business ideas
  • New product or service ideas
  • New marketing campaign ideas
  • Email list providers to investigate
  • Web hosting platforms to evaluate
  • Sexual experiences to have
  • Coaching programs and personal development courses to invest in
  • Books to read
  • Movies to watch
  • Games to play
  • Apps to try
  • Websites to check out
  • Articles to read
  • Videos to watch
  • Dietary improvements to make
  • Favorite healthy recipes
  • Favorite wines
  • Favorite Star Trek episodes
  • Fitness milestones to achieve
  • Yoga positions
  • Best running shoes
  • Investment opportunities to research
  • Holiday gifts to buy for friends and family
  • Activities that make you happy
  • Most effective productivity practices
  • Personal values
  • Favorite memories
  • Restaurants to try
  • National parks to visit

So a meta-list is like a shopping list of shopping lists, not just for buying items at a store but for experiences to have across many areas of life.

I’ve maintained a lot of lists over the years, including many like the ones above, and I’ll tell you that they’re easy to create, but they also require tremendous patience. It’s one thing to work on a singular list of goals, but when you have many such lists, it can easily feel overwhelming at first.

When you see how easy it is to brainstorm items and how long it takes to actually do them, you may be tempted to abandon the practice, but I urge you to stick with it. There is a payoff, but it takes time.

Those lists can help you stay alert for when some item on some list becomes more accessible than usual, encouraging you to snag an opportunity while it’s hot. You can also periodically skim your lists to grab new ideas to explore. Such lists are great for whenever your life starts becoming a bit stale or predictable – they can give you so many ideas for mixing things up.

When it comes to meta-lists, think in terms of decades, not just months or years. You may have an item on one of your lists that you don’t get to for 20 years, but it’s still satisfying to check it off.

There were many items I added to a list during my 20s, and I didn’t finally get to it until my 40s. Some examples include traveling to various European countries, going skydiving, doing an extended water fast, going to Disney World and Epcot Center, and reading several Mark Twain books including Tom Sawyer, Huckleberry Finn, and A Connecticut Yankee in King Arthur’s Court.

Note that you don’t have to fill in all of these lists at once. Just create your one meta-list of the lists you may want to create. Then create a stub for each list, such as in the Notes or Reminders app on your phone. Whenever an idea for any of these lists pops into your mind, such as a movie a friend recommends, you can easily add it to the appropriate list. You can even do this verbally by telling a smart device to do it for you. Rachelle and I use our Apple Watches to add items to the grocery list whenever an item runs low. Then we’ll automatically have access to that list on our watches and phones whenever we’re out.

You can also use crowdsourcing to populate some of your lists. Ask people for book and movie recommendations, for instance. You may be surprised at how efficient this is. A single Facebook post can fill up your movie queue with some outstanding gems.

Lists are relatively easy to maintain since they just sit there till you need them. I especially find it helpful to have a “books to read” list since then I’m never left wondering what to read next. Most items on my list were suggested by friends.

While it may take time to fill out a bunch of lists, it only takes a few minutes to create a meta-list. Why not take a short break to do it right now? You could even copy the one I brainstormed above and edit it to suit your needs.

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Inspiration Doesn’t Run Out

Recently I saw a NaNoWriMo participant complaining of running out of inspiration. Their writing had hit a wall, and the lack of inspiration was to blame.

That strikes me as an odd and hugely misleading way to think about inspiration, like it’s a resource that can run dry. Truthfully it never runs dry.

Saying you’ve run out of inspiration is like saying you’ve run out of sights or sounds. You could become blind or deaf, but the sights and sounds are still present. There are visuals to look at and sounds to be heard, and they don’t run out – or at least they won’t run out during your lifetime.

Inspiration is much the same. It’s always present. It’s a collection of signals that are always broadcasting – all the time and on multiple channels. Inspiration never switches off. This resource is always available to you. For all practical purposes, it is infinite.

Just as you will never run out of sights to see or sounds to hear, you can never run out of inspiration. There is more inspiration available than you can possibly channel, even if you write, speak, or create 24/7.

When people can’t access inspiration, it’s like this scene from The Three Stooges:

Larry: I can’t see! I can’t see!

Moe: What’s the matter?

Larry: I got my eyes closed!

Moe pokes Larry in the eyes.

If you can’t access inspiration, the inspiration itself isn’t the problem. Those signals are broadcasting loud and clear all the time. The problem is with your equipment.

Inspiration and Brain Health

Almost always the problem is physical in nature. It’s a health issue.

You use your eyes and your brain to see light. If you can’t see anything when there is light hitting your eyes, that suggests a problem with your eyes or brain.

You use your ears and your brain to hear sounds. If you can’t hear anything when sounds are entering your ears, that suggests a problem with your ears or brain.

You use other parts of your brain to tune in to the flow of inspired thoughts and ideas. If you cannot perceive anything when you attempt to tune in, that suggests a problem with your brain. Something is preventing you from properly accessing this natural ability.

If you have a problem with your eyes or ears, you can go to a doctor to get diagnosed and treated. If the doctor is competent and the condition treatable, you may be in luck. Unfortunately doctors cannot cure all cases of blindness or hearing loss, and in some cases they cannot even agree on a diagnosis of the cause. Nevertheless, they still typically consider the problem to be physical in nature. Even if the problem is labeled psychological, it’s still a physical problem with the brain instead of the eyes or ears. Some part of the brain is preventing the signals from being interpreted correctly.

Many writers love coffee, tea, and other stimulants. Why? These substances temporarily change the brain’s normal functioning, which can make it easier to tune in to the flow of inspired ideas. It’s like an eye poke to force your eyelids to open. Of course if you rely on this method too much, it can be like getting too many eye pokes, which probably isn’t good for your long-term eye health.

Just as modern society can strain our eyesight and hearing, it can strain our inspiration circuitry even more. That flow of inspiration tends to be more sensitive to degradation when the brain is stressed, especially by poor diet, lack of exercise, and environmental toxins.

We don’t commonly hear laments about lacking inspiration from people who eat super clean diets, such as raw foodists. Hang out with such people for a while, and you’ll generally witness the opposite – an abundant flow of inspired ideas, available at all times.

Treat the Causes

When there’s a lack of inspirational flow, don’t think of it as a psychological or motivational failing. Don’t think of it as a self-discipline problem. See it as a health warning that you should take seriously.

Losing one’s ability to tune in to the flow of inspiration is the canary in the coal mine. It suggests that you’re heading down the wrong path health-wise. Your brain’s loss of ability signals danger. Treat this as seriously as if your eyesight or hearing starts to go. Your lifestyle is degrading your brain’s capabilities.

If I want to reduce my sensitivity to the flow of inspired ideas, that’s relatively easy. I can just eat more processed food , fewer whole foods, and fewer fruits and veggies. If I want to increase my sensitivity, I can stick with whole foods and eat lots of fresh fruits and veggies.

For a short-term boost, one or two green smoothies a day is great. A 45-minute cardio workout is also great because it rebalances hormones and neurotransmitters.

One of the most powerful habits for a high-functioning brain, especially when it comes to tuning in to inspiration reliably, is daily cardio exercise. A good minimum is 45 minutes.

If you ever run into writer’s block, try doing a one-hour cardio workout. Then drink a green smoothie (or sip on one while you write). Can’t do an hour-long cardio workout? That’s probably why you have writer’s block. If your body is that out of shape, so is your brain. Cardio doesn’t just exercise the body – it exercises and strengthens the brain too.

Our brains simply do not function well without regular exercise.

You may notice a difference in inspirational flow just from taking a day or two off from exercise. Take a week or more off from exercise, and the degradation of this natural ability will likely be significant.

For a really powerful long-term boost, eat 100% raw for a month or longer. The difference is undeniable. The cleaner your brain, the better it functions.

Maintain Your Inspiration Interface

Your brain is your interface for tuning in to the flow of inspiration. If you don’t maintain that interface, it’s predictable that you’ll run into problems with degraded performance. And if you’re already running into problems, there’s your invitation to permanently upgrade your health habits.

If your lifestyle involves feeding your body low-quality ingredients or disregarding your body’s need for regular exercise, creative blocks will serve to remind you that there’s a price to be paid.

Brain degradation is often cumulative. The longer you maintain habits that degrade your mental functioning, the more trapped you may become. You still have to use that same brain to work your way out of that trap, so don’t bury yourself so deeply that you can’t climb back up again.

Inspiration is a valuable personal resource. It’s a source of opportunity. It’s a way to connect with people. It’s readily convertible into other forms of abundance, including plenty of money if you so desire. But you need a properly functioning brain to intelligently leverage this resource.

One of the best decisions you can make is to permanently raise your health standards, and decide to never go back to a degraded level of functioning. Going vegan was a key turning point for me. Committing to regular exercise was another. I made both of those lifestyle improvements back in the 1990s. Those prior commitments are why my one-year blogging challenge for 2020 has been pretty easy. It’s straightforward to access the flow of inspiration every day – much like seeing and hearing – so I’m really just doing a typing challenge. 🙂

Struggling with creative blocks is like straining to see or hear. Step back and fix the underlying health issues. More strain isn’t a wise solution.

If your brain is healthy enough, you need never deal with writer’s block or other creative blocks. Or at least if they do arise, you know how to fix them. Imagine if you could just create, create, create as much as you want, whenever you want. Instead of trying to come up with ideas, you can enjoy the endless flow and dance with it as you please.

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NaNoWriMo – Days 6-12

I just finished my 12th day of novel writing for NaNoWriMo. Since I started on November 1st, my novel has grown from 0 to 21,087 words. I’ve written 17 scenes so far, so I’m averaging 1240 words per scene.

While I had some aspects figured out before I began, I’m mostly pantsing it as I go.

I’m not writing the scenes in order, preferring to jump around a lot. So far I’ve written 4 scenes for Act 1, 10 scenes for Act 2, and 3 scenes for Act 3.

Words Are Cheap

I can usually write a draft of one scene in 30-60 minutes, depending on how long it is. Since it doesn’t take much investment to write a scene, throwing some words onto the screen is an easy way to explore possibilities. I don’t feel attached to a scene that took less than an hour to write.

It would be easy to overthink a scene by planning it out in detail, but I could easily spend more time planning a scene instead of just writing it. I’m also likely to discover a few things while writing that I wouldn’t have anticipated during planning.

Writing without much planning is a discovery process. I don’t always know where a scene will go when I begin it. I like to listen to the characters to see where they naturally want to take the scene.

I’ve written a few scenes that are inconsistent with other parts of the story, so they couldn’t all co-exist in the same book. I’m doing this deliberately since I want to explore alternative ways of telling different pieces of the story. It’s like writing a Choose Your Own Adventure book and then collapsing it into a linear story when I can see what the most interesting path is.

Motives and Subtext

The writing is getting easier, especially as I get to know the characters better. As I deepen my understanding of a character’s motives and desires, the character basically writes their own dialogue for me.

When I first started writing but didn’t know the characters very well, it was harder to write dialogue that sounded natural because I didn’t really know what each character wanted. At first I would just have them talk for the sake of talking, which led to bland, stiff, and lifeless dialogue. When the characters aren’t clear in my mind, their dialogue is very “on the nose,” meaning that it’s too direct.

When I read back this type of dialogue, it reminds me of what I commonly see in very amateurish fiction, where every character pretty much speaks the same way.

A scene feels very different when characters speak with an agenda in mind. Having a clear agenda makes it easier for a character to convey details through subtext. It also makes it easier to differentiate characters.

In good stories characters communicate a great deal through subtext. People don’t say what they really mean.

Building Fiction Circuits

I feel like the more dialogue I write, the more my brain is building out the circuitry and algorithms for this particular skill set. Whereas in the beginning this type of writing feel like pushing through mud, now it’s flowing more easily, which makes it more enjoyable too. It’s really so much nicer in Week 2 than it was in Week 1.

To pace myself to reach 50K words on November 30th, I should be at 20,004 words today, so I’m now 1083 words ahead of schedule. My goal when I began was to get ahead a little and stay there, and that’s what I’ve done, padding the buffer but a little more each day. Framing this as a daily commitment to write 1667 words per day (plus a little extra) is working nicely.

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Will AI Make You an Addict?

The novel I’m writing is set in the future, tentatively in the year 2047, so it’s roughly one human generation ahead of us. For technology, however, that’s many generations ahead.

Consider that the first iPhone shipped in 2007 (13 years ago). If you got an iPhone 4S when it first came out, that was 9 years ago, and the 5S was 7 years ago.

The iPad is 10.5 years old. The Apple Watch is 5.5 years old.

Look back 27 years to 1993. Back then I was using a 486DX 50mhz computer with a 250MB hard drive. I think it was about $2500 when I bought it. I did some contract programming for a local game developer that year, and I remember using a 486DX 33mhz machine at their office each day. I wrote games for Windows 3.1, and I also heavily used DOS apps (with MS-DOS 6.0), mainly because Windows apps were still pretty slow.

Technically there was an Internet. I think we were using 14.4k modems back then since 28.8K ones didn’t come out till the following year… and 56K a couple years after that.

Web browsing, like with Netscape Navigator, didn’t really start becoming a thing till 1994-95. I build my first website in 1995 for my computer game business. Before the Web started taking off, people often thought of the Internet as geeky college stuff, or it was some kind of paid service like AOL, CompuServe, or Prodigy.

So that was 27 years ago, which seems like ages ago. Now I’m trying to write a novel projected 27 years into the future. That’s difficult, and I’ll surely guess wrong about a lot of things. But it’s a fun thought experiment nonetheless, especially if you love tech as I do.

My current approach is to just journal about the world and let my brain start making connections. As I see some ideas flowing onto the screen, I begin thinking about how they’ll combine. I think about the benefits and drawbacks of these combos. This helps me assemble the world in which my story can take place.

I also have to consider that the pace of change in the next 27 years will be way faster than what happened over the last 27 years. So it might be more like comparing today with 1950s tech.

One trend in particular that seems interesting to explore is AI and personalization.

For instance, I imagine that sometime within the next 27 years, you’ll be able to say most or all of these things to one of your devices, and you’ll be able to expect a good result:

  • Create and play an original episode of Star Trek: The Next Generation with the original cast, just for me. Cast my wife as a guest character.
  • Generate a new sci-fi series that you think I’ll like. Give it 5 seasons, 10-12 episodes per season, and 40-45 minutes per episode. Have it star Brad Pitt, Sandra Bullock, and Tom Hanks at their ages from the year 2000. And include a robot character with Jim Carrey’s voice.
  • Generate and add 10 attractive photos of me to that new dating app I installed.
  • Generate a new open-world fantasy video game similar to Zelda: Breath of the Wild 5. Name the lead character Schmoopie. Include the Three Stooges as quest companions that I meet as I play. Make it take about 200 hours to finish if I do all of the side quests. Make all the food and characters in the game world vegan. Save it to be played on my XBox One XS version X One. Monitor my responses as I play to make sure I’m having fun.
  • Plan a vacation trip for my wife and me to Italy in the spring. Include Rome and Venice. Make it two weeks in duration. Include the major stops you think we’d appreciate, but also give us plenty of time to wander and explore. Keep it under $7K total cost for the trip, but not too much under. Book it and add it to my calendar. Book-end the trip with a self-driving car pickup and drop off at my house. Create a 5-minute preview video of us enjoying the trip, and send it to my wife and me. After the trip, generate a 30-minute highlight video of us on the trip, and add it to our family camera roll.
  • Generate a new 12-song Depeche Mode album in the style of Violator but with shades of Songs of Faith and Devotion – with Alan Wilder as a band member please. Play it during my run tomorrow.

I think we’ll see a big explosion of AI and personalization, especially when it comes to media. I think it’s just a matter of time before AI is smart enough to generate custom experiences. AI can already generate original photos, artwork, and music now. And it can generate movies too with some major limitations. It’s also being used to upscale older videos to 4K resolution or better. It will take time, but I think that AI-generated content will eventually become the primary source of entertainment for most people. I think human-created content will still be around, but AI will improve more rapidly in this area, and the costs are much, much lower. It’s probably just a matter of time before AI surpasses humans at creating TV shows, movies, video games, VR worlds, and more.

I think we’ll see some intermediate steps between now and then, like TV shows or movies where you can change the actors. There may be legal hurdles to that though.

Fortunately the goal of creating a story world isn’t accuracy. I think the goal is to identify interesting sources of conflict. How will the world of the future challenge people?

One big issue I see is the rise of addiction. We’re already seeing AI being used in this way by Facebook. Now imagine if you were able to use AI for your own pleasure, and you give it access to data that it can use for that purpose. Suppose that while you’re watching a movie or playing a game, the AI can monitor your pulse, analyze your face in real-time, and use that data to sense how your biology is responding in each moment. Then it can generate more personalized content for you. It’s an echo chamber for one.

This creates interesting opportunities to though, especially in a capitalist society. We’re also likely to see more AI thrown at the problem of fighting addiction.

I appreciate fictional stories that highlight future problems. They help us map out the possibility space, including dangers to be avoided. A few good examples are 1984, The Terminator, and Gattaca. While fictional and exaggerated, they also point to genuine risks.

Writing a novel that helps to serve as a potential warning appeals to me. The story I’m writing (now past 17K words) is actually pretty dark. Here are some questions I’m currently exploring through the story arc:

  • How might the relationship between AI and addiction unfold?
  • What if people are empowered to use AI in ways that could lead to addictive behaviors?
  • How far will corporations go in using AI to addict their customers to their products and services?
  • Which commands that people might give AI are likely to lead to addictions?
  • What can humans do about AIs that are actively trying to condition addictive patterns?
  • How might AI be used to fight or prevent addictions?
  • Could humanity actually trap itself in an inescapable cage of AI-fueled addiction? If so, what would that cage look like?

While we could get lost in projecting many different technologies forward, for this purpose I favor keeping the world relatively simple and easy to grasp, so readers can be more immersed in the characters, the plot, and the themes rather than having to read endless description about the world.

As I work on this project, I note that the risks I’m identifying are also real. I think people will become increasingly vulnerable to tech-related addictions in the years ahead. Writing this book helps me think about how that may play out and what the potential solutions might be. So there’s an interesting relationship between exploring ahead with a fiction project and helping people prepare for upcoming personal challenges.

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NaNoWriMo – Days 4-5

Here are my latest progress updates for my novel:

Day 4

I had a very pleasant writing session on this day, now at 6872 words total. I’m starting to enjoy this more as the scenes are coming together, and I’m getting more familiar with the key characters.

I spent some time organizing the manuscript scene structure before I wrote any scenes this time. I created placeholders for the remaining signpost scenes, found a cleaner way to arrange my existing notes, and did a little more journaling with my characters.

In general I find that journaling with my characters and asking them what we ought to write today is a great way to begin each writing session. This is basically the method from Stature called “Chorus” applied to fiction.

Another ace of a habit is listening to brain.fm focus tracks while writing. When using the phone app version, I prefer the “deep work” tracks for this type of work. Oddly the “creative flow” tracks tend to make me sleepy.

On Day 4 I wrote two more signpost scenes:

  • The Doorway of No Return #2, which is the final scene of Act 2
  • Mounting Forces, which is the first scene of Act 3

This gives me a sense of how Act 2 could end and how Act 3 can begin. I’m not sure if I’ll keep these scenes as-is though. It’s an interesting place to take the story, but I’m not sure if these particular scenes will set the characters up for a strong enough ending.

Playing with the signpost scenes is like figuring out the spine of the story. I can see how it will be easier to fill in the remaining scenes once I figure these out. It’s basically the 80/20 rule applied to fiction writing. Figure out your 20% most important scenes, and write and arrange those first. Those are the scenes that provide 80% of the value.

Day 5

I’m at 8605 words total now. On this day I wrote the Lights Out scene, which is signpost scene #11 and the second scene of Act 3.

This is the dark, bleak, “all hope is lost” scene that sets things up for the finale.

It’s interesting that in many story structures, right after the lead character makes a big decision, you knock them down a notch in the next scene (or shortly thereafter). One reason for doing this is that it raises the stakes, showing just how big or risky the decision really is. This increases the tension and helps maintain good pacing. The “Lights Out” scene raises the stakes as high as they’ll go.

Isn’t real life like this too sometimes? You may make a big decision such as to quit your job or leave a relationship, and now you have an upcoming scene where you have to tell your boss or partner, and that’s often an unpleasant situation that knocks you back a bit. But then you can at least have some recovery scenes afterwards.

In fiction and in real life, courage is a big part of the journey. Without sufficient courage, you can’t make those big decisions, and the story can’t progress.

This was a hard scene to write, so it took me considerably longer to write than any other scene. I kept pausing and reflecting along the way on where to take it next, like after every few hundred words. There were a lot of options at each point.

This is also a very unusual Lights Out scene, not something I’ve seen elsewhere. While the idea of having a scene like this isn’t new, the way I’m approaching it isn’t familiar to me. It’s close to an addict hitting rock bottom, but it’s actually way worse than that. It’s like taking an addictive drug that’s also conscious, so it won’t let you quit even when you decide to.

I wonder if I overdid it though. I buried the main character so deeply in this scene that it looks totally impossible for her to escape her fate now. But that also makes it kinda interesting to see if I can use this. If I can’t see a way out, the reader may not be able to see any way out either.

The writing is feeling a little easier now that I’ve done five days of it. It’s still challenging though. If I didn’t have my daily quota of writing at least 1667 words each day, my word count would surely be lower at this point.

I feel like what I’m really doing this month is mapping out the story space. There are so many permutations and branches of the story I could write. Every writing session gives me more clarity about what I could do, but it won’t necessarily be what I end up going with.

I find the “words are cheap” mindset helpful. It’s not that difficult to throw a scene onto the screen and see how it turns up and then reflect upon how it fits with the other scenes. At this point I’m not worrying at all about polished language. I’m writing the scenes fairly plainly to explore more possibilities each day.

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Obedience Test Results

Four days ago I posted a simple obedience test. I’m still getting more responses each day, but it looks like the patterns have become clear enough to share what I’ve learned thus far.

The basic idea was that I commanded people who read that post to read 5 more articles from my website on that same day and then to send me feedback about their experience. They could choose to obey the command or not.

Why the Obedience Test?

It was a simple idea that popped into my mind at the time, and I opted to run with it. That’s likely because I’ve been thinking about the theme of obedience lately. Much of the time whatever is churning in my mind provides the inspiration for new blog posts.

As some people guessed, obedience is a theme that I’m exploring in the novel I’m writing, particularly with respect to how humans relate to AI. It’s not the only theme I’m exploring, but it’s one of the major ones. That could change as I get further into the writing though. I’m only about 5K words into it so far.

Today much of the AI we interact with, such as “smart” assistants like Siri (still dumb as a stump) or Alexa (getting there), behaves rather obediently. It does what we tell it to do, or at least it tries. But what if that Master-servant relationship begins to shift, towards one of equals and perhaps shifting even beyond that? How might humans respond to this shift? Will they obey smarter AI, especially if it’s to their benefit? Or will they resist?

Would you let an AI decide what you get to eat? Would you let an AI plan your exercise? What if obeying the AI in this way greatly improves your health? There are lots of ways we can envision that being ornery towards AI might just slow you down, such as by refusing to do your AI-generated workouts.

This shift is already showing up today, is it not? How many people are obeying other companies and services without even realizing how they’re being conditioned? And how many people rebel against science and logic, even when it’s ultimately detrimental to them?

Also, how many people willingly assume roles of obedience in human relationships, such as by having a boss telling them what to do? How might AI affect these relationships over time? Will AI level the playing field or create even bigger power imbalances? We might see both aspects coming into play.

What human instincts, mindsets, and behaviors actually get in our way and slow us down, both individually and collectively? How could AI help us? How might it hurt us, such as by amplifying addictions?

With the election happening, I’ve also been thinking about people’s obedience to politicians and political parties as well. Where does obedience help us? Where does it hurt us? Are people succumbing to falsehoods because they’re being too obedient? Are they buying into conspiracy theories because they’re being too rebellious?

And lastly, I’ve had a long history in my relationship with obedience, from being raised in a religion with strict rules of conduct to going through a wild and rebellious phase to going decades without a boss to getting into D/s play. So I was also curious to see where some of my blog readers landed in terms of this relationship with obedience.

I also just thought it would be a fun thing to try and to see how people responded. I imagined that some people would act like ornery rebels and others would find value in obedience, perhaps playfully. That’s pretty much what happened.

Results

The results were varied but not surprising.

It was pretty close to 50-50 between the rebels and the obeyers. There was some gray area in the middle with a few people semi-obeying, like reading a few articles or skimming instead of fully reading, but most people reported that they either read 5+ more articles or read none.

I also noted that everyone who replied technically obeyed the second command to send feedback. A true rebel wouldn’t have bothered to reply, so of course I don’t get to see those responses.

Among the rebels who did reply, the most common response pattern was from people who said that they hate being told what to do and rejected the command because of that. Some seemed to take pride in their rebelliousness, like they were spiting me by not obeying. They responded as if I was their Mom or Dad telling them to clean up their room.

A few rebels also said that they were intending to read more articles on my site that day before reading the obedience test, but after being commanded to read more, they declared that they weren’t going to read any more that day. They couldn’t do it because then it would mean something different, like they were being obedient.

The rebel mindset is still a reactive one, wouldn’t you say? It strikes me that people are less free when they think like this. Tell a rebel to do something, and now they can’t do it.

Who set up the obey-or-disobey framing? I did, and these rebels still bought into it, which in my view is actually an obedient act. They let me define the frame, which limited their options by constricting the meaning they’d assign to different actions. So they obeyed my frame, and then they tried to rebel within that frame, which of course looks a bit silly: Oh yeah… just for that I’m not gonna read any more articles today, even though I was originally going to. So there!

If you let someone dictate the meaning you assign to an event or decision, you become less free. Even as these people thought they were being rebellious, they were actually just giving away their power.

If they had declined to accept my framing offer, they could have decided to read or not read more articles for their own reasons, not for the reasons I suggested. You don’t have to buy into the meaning that someone else offers.

Some rebels even caught onto the fact that they were obeying the second command to share feedback, and then they had to justify why they were obeying that part but not the first part. They typically framed the second part as a request that they were choosing to accept, being more sensitive to the “command” framing of the first part. I’d say you’re still less free if you have a negative reaction to being commanded. It’s a framing offer that you can accept or decline regardless of how someone labels it.

Not all rebels seemed very triggered though. Some declined easily without expressing much feeling about it, usually saying that it didn’t align with how they wanted to spend their time.

Consider that someone could tell or command you to do something that would actually be good for you, and if you frame this as something you must resist, you’re holding yourself back. It makes you a less coachable and teachable person since you’re likely to encounter something that makes you want to rebel and resist sooner or later, even within the scope of well-intentioned advice.

It’s hard to give advice to a reactive rebel, so such rebels tend to teach the people around them not to give them advice – and often not to give them invitations either.

Another drawback to the rebel mindset is that rebels often have trouble assuming command and telling other people what to do. They figure that other people will be resistant in much the same way, which isn’t true. Some people enjoy being told what to do, even when it’s framed as a command. Hence rebels often have a hard time delegating.

And of course in certain situations, some people like to play and dance with the concept of obedience, which may or may not include playful forms of rebellion.

The limitations of the rebel mindset are pretty easy for me to spot because I used to be very much like that myself. It was a phase I went through for many years. It helped me grow away from some aspects of my upbringing that were problematic, but it also introduced new problems that slowed me down. Rebelliousness can be a fun and rewarding mindset to explore for a while – and beneficial too – but I wouldn’t want to stay there for decades. This mindset too often gets in the way of making discerning and intelligent choices, and it chokes off some otherwise good opportunities.

Obeyers

On the obeyers side, I could mostly divide the responses into two types:

  1. Some people playfully embraced this framing and just went with the command, feeling little or no resistance to it.
  2. Some people felt some resistance to the obedience frame, so they shared extra justifications for following the command anyway, such as curiosity, potential benefits, trusting me, or wanting to share and participate in the experiment.

What I noticed most of all with the obeyers is that by and large, they seemed to like and enjoy the experience way more than the rebels did. They clearly had more fun with it. Some reported synchronicities and extra value received from the articles they read. There was more appreciation. And they wrote longer responses on average, often sharing extra details, stories, and personal updates.

Whereas the feedback from rebels was usually more curt and direct, the obeyers’ feedback was generally more open, friendly, and playful. So I’d say that between these two groups, the obeyers had a better overall experience.

The obeyers were less likely to be triggered by the command and obedience framing. They largely regarded it as an invitation or a suggestion, even a playful one. Some reported some mild negativity towards this framing, but it wasn’t nearly as severe as what the rebels shared, and the obeyers didn’t have to stretch too far to find a way to justify taking action in spite of some resistance.

I found it interesting how people came up with different reasons and justifications to overcome their resistance. Not everyone needed to do that though.

Some people didn’t feel any resistance to the obedience framing. They basically played back at me and went with the role-playing aspect of it. These people seemed to enjoy the experience most of all.

My Inner Reaction

I also paid attention to how I internally reacted to people’s reactions. Put yourself in my shoes, and imagine that you received the types of responses I just described. How do you think you’d have reacted to them?

This probably won’t surprise you, but I felt most connected to the obeyers. Their playing-back-at-me responses were the warmest and most fun to read. I felt a stronger heart connection to them too.

The rebels framed the experiment as something they had to resist or reject. I didn’t take this personally, especially since I anticipated that many people would respond this way. Even so, I felt less connected to them. They seemed more shielded and less trusting whereas the obeyers’ replies often made me smile or laugh.

I mostly felt a bit sad for the rebels because they seemed the least free, the least flexible, the least happy, and the most trapped. That may be because it reminded me of how limiting it was when I was in my super rebellious phase.

Playing With Obedience

I think what we really want to aim for here is freedom, conscious choice, and also good discernment.

If you’re too obedient and not discerning about it, that can be bad of course. You could be led astray by someone who doesn’t have your best interests at heart.

If you’re too rebellious and not discerning about it, that can also be bad. You’re going to miss out on some good opportunities, and you’ll reject some good advice and invitations if they’re framed in ways that trigger you.

My recommendation is to see if you can remove the heat from words like command and obedience. Realize that being told what to do isn’t an attack. It’s just an invitation. You can accept or decline any such invitation, but don’t let your reactive triggers make those decisions for you.

If you struggle with negative reactions to the obedience and command framing, you’ll likely have a harder time obeying your own commands. Part of you will frequently rebel against yourself. You’ll often see your inner rebel resisting your inner commander. Then your inner commander will become flabby too, not wanting to give orders to your rebellious side. This makes you less free and less capable. It wastes energy to internally fight with yourself.

To flow through life with more ease and action, it’s helpful to recognize that there’s nothing wrong with commanding, and there’s nothing wrong with obeying. It’s important not to overweight these factors, so you can give more weight to the decisions and results you’d like to experience.

This month I’m doing NaNoWriMo to write my novel. This is a 30-day challenge that someone else created. I’m obeying the challenge, and I’m obeying my own command to do it. My inner rebel remains calm and untriggered. Even though I don’t have to, I find it worthwhile to frame the challenge as having aspects of command and obedience. This helps me continue to reduce resistance related to both aspects, and that in turn helps me get better results. It’s really hard for rebels to successfully complete a challenge like this.

Consider that if you can’t do a challenge with the command-and-obey framing, you may also be weak at doing it with some other framing like self-interest, self-discipline, or personal achievement. It’s so easy to accidentally trigger your inner rebel, making you want to resist even when it would be better if you persisted with the challenge.

So consider that it might be best for you in the long run if you can develop a healthier, non-triggered relationship with command and obedience. Take the sting out of this framing. Let yourself see both sides as forms of play, and notice that a more playful relationship with this framing gives you more options, more freedom, and better results.

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NaNoWriMo – Day 2

On Day 2 of NaNoWriMo, I wrote 1743 more words, so I’m at 3439 words for my novel so far. Today I’ll pass 5K words.

While the challenge is technically to write 50K words in 30 days, I’m framing it as a daily commitment to write at least 1667 words per day. So I’ll surely end up with more than 50K words by the end. My approach is less flexible since I won’t be taking any days off, nor will I reduce the daily quota based on my ongoing word count. It’s easier for me this way since I’ll never let myself fall behind, so I’ll avoid the trap of having to write thousands of extra words to catch up later. Today is Day 3, and some people are already feeling behind because they didn’t write much on the first two days. I’d rather always feel like I’m ahead for the rest of the month. I’m ahead in my word count now, and I’m going to pad my lead each day going forward. I will never be behind, only ahead.

As I’ve noted many times before, you win a 30-day challenge before you start Day 1. It’s all in the early game. I’m well aware of the tricks and traps my mind will succumb to if I don’t frame and approach the challenge correctly, so I remove the riskiest excuses in advance. Sometimes that means being extra strict, but there’s a hidden ease and lightness in that strictness that many people overlook.

I also feel compassion for my future self, so I won’t to burden him with having to do a 5K- or 10K-word catch-up day this month. If he wants to blast out more words for fun because he wants to, he has that option, but I won’t force that obligation onto him. I’m just going to stick with a steady pacing one day at a time.

I began Day 2 by re-reading what I wrote on Day 1, fixing a couple of typos and making a few more editing notes but otherwise not doing any editing. I just want to focus on writing to get the ideas down. Some Nano participants have cautioned that it’s risky to re-read previous work during the challenge since they too easily get sucked into editing, which doesn’t advance their word count. I don’t find that to be an issue so far though. Making some editing notes is enough for me. I might toss out entire scenes later, so I don’t see the point in editing them prematurely. I see this as being similar to optimizing code that was written for a prototype, which is usually pointless since that code will likely be refactored or replaced anyway. Since I’m just prototyping my novel, sloppy code (or writing) is fine for now. Little or nothing of what I write for this draft is likely to make it into the final version.

I take to heart the advice that the purpose of the first draft is to write the story for myself. That mindset is helpful since it encourages me to just explore the ideas and possibilities and not fuss over how bad it is.

This time I wrote two shorter scenes of roughly equal length, so I have three scenes done now. Instead of writing two more scenes in order though, I skipped ahead and wrote the first two scenes of Act II. So I still have more to fill in for Act I, but I like that this helps me see one of the upcoming signposts that I want to reach. I think I have a better sense of where to take Act I now that I see how Act II begins.

I recently learned about James Scott Bell’s 14-signpost plot structure, and I like it so far. It fits my novel idea pretty well, so I’m loosely using it for my scaffolding. I think it’s more useful and insightful than the common 7-point plot structure or the 12-point hero’s journey or any of the other structures I’ve seen so far.

Within this signpost model, I wrote signpost scene #1 on Day 1 (The Disturbance), and on Day 2 I wrote signpost scene #5 (Doorway of No Return #1), along with another scene right after after signpost scene #5.

However, after that writing session, I did more reading about this structure, and I realized that it would probably be wise to insert signpost scene #6 (A Kick in the Shins) immediately after signpost scene #5.

In The Matrix movie, think of signpost scene #5 as the scene where Neo decides to take the red pill. That’s his first doorway of no return. What happens immediately after that? He swallows the pill, and now he’s on his way out of the Matrix. He touches a mirror, which sticks to him and then spreads over his skin, making him freak out. The crew makes it clear that his life is in danger while they race against time to trace his signal. Then Neo’s real human body wakes up – hairless, naked, and covered in slime. Eventually he gets dumped down a chute and picked up by Morpheus’ ship. But now he’s really weak and has to build up muscles he’s never used. I think that’s a good example of signpost scene #6 (A Kick in the Shins) following immediately after signpost scene #5 (Doorway of No Return #1).

The purpose of giving the protagonist a kick in the shins right after they commit to a new course of action is to show that the stakes are indeed high – often life or death. Neo doesn’t just take the red pill and find himself dancing with Smurfs. He’s blasted with some hefty seriousness, and the risks become more real and present. Notice what this does for the pacing and tension of the story. Imagine how Act II would flow if there was no kick in the shins. The tension and momentum would drop, and the pacing would feel slower.

I find it empowering to study story structure as I go along. This way I can connect my actual writing to the structural elements I’m learning, so the study is immediately practical. Bell’s signpost structure helps me think about the next signpost coming up that I can aim for, so there’s a purposeful progression to what I’m writing.

While I don’t have to use a known structure as a guide, it sure is helpful when just starting out. It’s also fun and rewarding to spot these structural elements in books and movies, like The Matrix. Once you see those patterns, you cannot unsee them.

I’d like to spend some time watching more classic movies this month to ponder their structure. I really enjoyed the deep analysis that was done at Robert McKee’s Story seminar last year, where we took six hours to go through Casablanca scene by scene. That gave me a whole new appreciation of the movie.

Overall the writing process on Day 2 was slower going than Day 1, taking about 90 minutes. I had to pause and think more about the character interactions and action flow. I really notice how inefficient my mental circuitry is at writing fiction. When I write nonfiction articles, ideas flow in and words flow out with nary a hint of friction or resistance. My subconscious constructs sentences and paragraphs for me. I watch as my fingers type. Editing is super easy too.

But with fiction it’s a whole different story (pun intended). It feels like I’m using brain circuitry that’s clogged with sludge. Ideas flow in, but they get bogged down in mental marshland, occasionally spitting out gobs of muddy language. I have to consciously push my thoughts through the tubes, just to get some ill-formed words and phrases splattering onto the screen. My mind pops and stutters in confusion. It takes real mental effort just to squeeze out one sentence at a time. And it’s way more taxing and draining.

Writing a nonfiction blog post about my fiction writing is so much easier and more effortless than writing the fiction itself.

These experiences are very different emotionally too. Blogging usually feels delightful – so light, playful, meaningful, flowing, and graceful as my fingers dance and skip around the keys like happy kids playing hopscotch.

Writing fiction feels darker for me. There’s tension, tightness, and awkwardness in the experience. It’s like I’m back in school doing a mandatory speech contest – a dreadful experience that I hated. But then when the day’s writing is done, there’s a feeling of relief, and I can breathe easier again.

It would be wonderful to reach the point where fiction content flows through my mind with the same ease as nonfiction. Maybe in a million words or so, I’ll be at that point. In the meantime I’m okay with the friction phase, which slows me down but doesn’t stop me. Lots of learning experiences are like this in the beginning.

Here are two things that helped:

  • Before I started writing, I did a quick journaling Q&A with the main character to ask her what she wanted me to write today and how she wanted me to express her character. She gave me some suggestions on ways to express more personality for her. This was harder to write at first, but it made for more interesting (less bland) dialogue. I’m gradually feeling more connected with this character.
  • Listening to brain.fm focus tracks while writing is wonderful for reducing the mental and emotional tension. It helps me relax into the creative writing experience.

Onward to Day 3…

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Starting NaNoWriMo

NaNoWriMo (National Novel Writing Month) begins today, and this is the first year I’m participating. Shortly after posting this, I’m kicking off a 30-day challenge to write at least 50,000 words of a novel this month, which works out to 1667 words per day.

Here’s how I’m framing it: I’ve never written a novel before, and I’ve always wanted to. It’s something I want to add to my life resumé. While I could do this entirely on my own, it’s more fun and engaging to ride along with the energy of NaNoWriMo. I’ve thought about doing this for many past Novembers, and the year of COVID seems like the perfect year to start.

I’ve never written a novel before, so I don’t actually know how to do it. I haven’t written short stories either. Great! It will be a learning and growth experience then. That’s reason enough to do it.

I can also share what I learn along the way since I’m still going to be blogging every day this year anyway.

Here’s something I just learned last month.

There are three basic approaches for writing a novel:

Plotter/Planner – Map out as much of your story as you can before you begin. At least know the key beats of your story, the main characters, and how you’re going to end the story. Some plotters will have every scene planned out ahead of time. J.K. Rowling is a famous plotter.

Pantser – Write by the seat of your pants, making up the story as you go along. You may have no clue what the plot turns and scenes will be or where you’ll end up. Start with a basic idea, just start writing, and see what happens.

A famous pantser is Stephen King. I recently listened to the audiobook version of On Writing (read by him personally) where he talks about his writing style. He likes to begin with a situation and one or more characters, and then he see what happens as he writes. Getting into the minds of his characters helps him figure out what they’ll do in each situation, and his characters often surprise him.

Plantser – This is a mix of plotter and pantser. Do some advance planning, and also take advantage of pantsing mode. Of course there’s a whole spectrum here, so a plantser may lean closer to plotter or to pantser.

My intention for this novel-writing experience is to use plantsing. I figure that plotting and pantsing are tools, so I might as well give myself access to both.

A couple of weeks ago, I didn’t know what type of book I’d write. Since then I’ve loosely mapped out a sci-fi story, a few characters, a theme, some of the world, and some plot turns. I’ve set up a Scrivener project to keep everything organized nicely, much like I would for creating a new course.

Last weekend I wrote a 3000-word summary of my story from start to finish. That summary is very loose though with multiple options for what could happen along the way. I have a sense of how I’ll end the story, but I’m also giving myself a lot of flexibility to make things up as I go.

One the nonfiction side I’ve used all of these approaches. Almost every blog post I’ve written pantsing style. I don’t outline. I just begin with a loose idea, and then I write off the cuff from start to finish and see what flows out. Immediately afterwards I do an editing pass to tighten things up and potentially add more structure or clarification.

For my book Personal Development for Smart People, I used plotting. I mapped out all of the key ideas chapter by chapter with dozens of sticky notes before I started writing. I must say that I didn’t enjoy the writing process as much though. With everything mapped out so tightly, there wasn’t much room for enjoying the flow of inspiration, so the writing felt very mental.

For the courses (Deep Abundance Integration, Submersion, and Stature), I used a form of co-creative plantsing. Each individual lesson was mapped out before recording, but the overall structure and topics were based on going with the flow of inspiration and feedback along the way. This was my favorite approach – a great mix of structure and flow. And people who’ve gone through the courses seem to like the results as well.

Co-creatively plantsing a fiction novel could be a lot of fun, but it also adds complexity, not to mention more time for all the feedback. So I’m not using that approach for NaNoWriMo. I want to dive into the solo novel-writing experience first to see what that’s like.

One tip I found helpful is to remember that the first draft is just for the writer. No one else has to see it. So the first draft could turn out very ugly. You’re just writing the story for yourself, figuring out where the story and characters want to go. Afterwards you can use what you learn from this draft and do a round of plotting, such as by mapping out all of your scenes, before writing a second draft.

I’m approaching this NaNoWriMo experience like an exploration. I’m not attached to how the story turns out, and the basic planning I’ve done thus far is just to serve as a loose guide, like picking a topic for a blog post. So each day I’m just going to dive in and write to see what flows through. I may not even write scenes in linear order.

Many people participate in NaNoWriMo and write stories only for themselves, never publishing what they write. That isn’t my intention though. I’d like to create a story to share, not just write one for myself. This month is just to get a first draft done though, so don’t expect a completed novel to read until sometime in 2021 at the earliest.

Okay… time for some breakfast and then some writing. 🙂

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