Studio Behind The Odyssey Addresses ‘Misunderstanding’ About Damage To Replica Ship

The production company behind The Odyssey has responded to claims that the film’s crew damaged a replica of a Viking boat during filming, without paying for the damage.

Earlier this week, the chair of the Vikingaleden association in western Sweden told The Guardian the organisation had given permission for one of its boats to be used during the making of Christopher Nolan’s film.

A year later, they have said they invoiced Universal for $6000 (around £4500) for repairs after it was damaged during the infamously-gruelling shoot, but have still not received a payment.

“We are only charging for the material cost, not the labour. Of course Universal can afford this $6,000. We feel forgotten,” they said, adding: “The agreement was that we would fix it and get financially reimbursed.”

A Universal spokesperson said in response: “Our records show that all invoices relating to the Glad av Gillberga were paid in full, including repairs. The studio and the production have contacted the association to clear up any misunderstanding.”

The boat in question was used in several sequences in The Odyssey, an adaptation of Homer’s Ancient Greek tome.

While promoting the film, director Christopher Nolan has opened up on numerous occasions about his preference for on-location shooting and practical effects, rather than green-screen technology and CGI, as much as possible.

He told Empire magazine last year: “By embracing the physicality of the real world in the making of the film, you do inform the telling of the story in interesting ways. Because you’re confronted on a daily basis by the world pushing back at you.”

More recently, Nolan has spoken candidly about the “terrifying” feat of bringing the film’s cyclops character to life without relying on computer wizardry, while the cast have voiced their own disbelief over one particular sequence that they were shocked to learn doesn’t feature any CGI.

The Odyssey is now in cinemas.

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How Andy Burnham Promised Labour Unity And Then Delivered A Cabinet Massacre

Andy Burnham proved he was not afraid to use his political capital when he finally got the keys to 10 Downing Street.

Within hours of being formally announced as the UK’s latest prime minister on Monday, he had completely torn up Keir Starmer’s cabinet.

Rachel Reeves was sacked as chancellor, while deputy prime minister and justice secretary David Lammy also found himself out of a job.

Chief secretary to the prime minister Darren Jones was fired, as were cabinet office minister Nick Thomas-Symonds, Northern Ireland secretary Hilary Benn and attorney general Lord Hermer.

Bridget Phillipson was stripped of her education brief, although she will still attend cabinet as the minister for women and equalities.

In all, a dozen cabinet members lost their jobs.

Despite the new PM’s vow to end Labour “factionalism”, there’s no two ways about it: this was a culling of Starmer loyalists.

In their place came close Burnham allies like Louise Haigh, who is now effectively the PM’s deputy, and Anneliese Midgley, who was made chief whip.

Ed Miliband – the first cabinet minister to tell Keir Starmer to quit – was promoted to foreign secretary, although he did miss out on the job he really wanted, Chancellor of the Exchequer.

In a major shock, that post went to John Healey – whose resignation as defence secretary last month was the final nail in Starmer’s coffin.

Meanwhile, Wes Streeting, who resigned as health secretary in May in protest at Starmer’s leadership, also returned to cabinet as the new defence secretary.

Some members of Starmer’s old team did survive, however.

They included Pat McFadden, who remains work and pensions secretary, and Yvette Cooper, who is the new health secretary.

One Labour MP described the new cabinet as “a mixed bag”.

“Some of the appointments are merit-based, but some of it pure factionalism,” the MP added.

A senior party figure told HuffPost UK: “It’s a really bad reshuffle. He’s made far too many enemies, and given far too many jobs to his mates.

“It’s not just the people he’s sacked – he’ll have pissed off Ed, Yvette and Bridget.”

A third source said: “Midgley as chief whip is a disaster, she doesn’t know enough Labour MPs.

“They’ve now got loads of pissed off people who lost jobs or who didn’t get jobs at all. What could possibly go wrong?

“It just felt lik a mess of a reshuffle done by people who don’t know the Parliamentary Labour Party, or any of the dynamics around politics that you have to balance.”

A Labour veteran defended Burnham’s line-up, however, insisting there was a “clear logic” to his appointments.

“There’s no way he could have made Ed chancellor because he’s too divisive, so making him foreign secretary is a good consolation with the added bonus that it gets him out of the country,” they said.

“Wes is a good appointment at the Ministry of Defence. He’s bright and energetic, a description which does not apply to many of those who have been sacked.

“He just needs to stop riffing on social media. He’s now in a department where they kill people, so he has to calm down and grow up, otherwise he will crash and burn.”

But not everyone is happy.

One MP was dismayed at the lack of left-wingers in the ministerial ranks.

“This is a hard lesson in power politics and it’s a lesson well received,” he said.

“This is what the cabinet would have looked like if Owen Smith had beaten Jeremy Corbyn in 2016. The left won’t feature apart from the perhaps odd token position.”

This week’s Commons People podcast explores what kind of message Burnham is trying to send with his appointments – and why he might have added more fuel to Labour’s simmering civil war.

Listen to Commons People, the podcast that makes politics easy. Every week, Kevin Schofield and Kate Nicholson unpack the week’s biggest stories to keep you informed. Join us for straightforward analysis of what’s going on at Westminster.

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Bad News For Anyone Hoping To Find Out What A Christopher Nolan Rom-Com Would Look Like

Still, the director has insisted that he’s more in his comfort zone doing something as strenuous as his latest big-screen epic than he would be something seemingly more straightforward, like a traditional romantic comedy.

During a new interview on The Tonight Show about just how much his latest film put him through his paces, host Jimmy Fallon joked to Nolan: “Did you ever think to yourself, ‘man, next movie I want to do an easy one?’. How about a Christopher Nolan rom-com?”

“I think doing a rom-com would be incredibly difficult,” the Oscar winner responded. “I love watching those movies, but I think comedy, people who direct comedy, people who do comedy, I think that’s one of the hardest things in the world – to make people laugh that way.”

He explained: “You know, if I show [one of my films] to people and maybe they don’t respond to bits of it, I’m like, ‘ah, they don’t get it’. There’s no hiding behind that when you do comedy.”

“I would be terrified of doing anything like that,” he insisted.

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Over the years, Nolan has tried his hand at a range of genres, including the sci-fi offering Interstellar, his superhero Dark Knight trilogy, the war movie Dunkirk and the psychological thrillers Memento, Insomnia and The Prestige.

In 2023, he unveiled the historical biopic Oppenheimer, which was lauded by critics, made almost a billion dollars at the box office and picked up a string of prizes at the Oscars including Best Picture, Best Director and acting prizes for cast members Cillian Murphy and Robert Downey Jr.

His latest offering is similarly star-studded, led by Matt Damon alongside the likes of Anne Hathaway, Tom Holland, Zendaya and Lupita Nyong’o.

The Odyssey is in cinemas now.

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